In the emails that they exchange (where Barbara says that she is “rather dispirited” at the thought that she will let him down, to which he replies that “we can’t get anywhere if we stay on familiar ground”) and during her rehearsals with pianist Stephen Gosling, the singer’s attempts to overcome fear and accept imperfections, while avoiding the clichés of the ever-suffering artist, come to life. By giving space to both doubt and intransigence and by seeking “another type of perfection”, the music born out of it is full of life, freedom and joy.
Zorn III (2018–2022) Zorn III (2018–2022)
Mathieu Amalric has been filming New York composer and saxophonist John Zorn for twelve years. This time, Zorn asked opera singer Barbara Hannigan to perform his song Jumalattaret, inspired by Finnish pagan goddesses.
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April April
Dea Kulumbegashvili
Tuesday, 20. 05. 2025 / 19:50 / Main Hall
After her critically acclaimed and multi-award-winning debut Beginning, Georgian director Dea Kulumbegashvili returns with another unique, visually captivating meditation on women trapped in the vicious cycle of patriarchy. Special Jury Prize in Venice.
Dahomey Dahomey
Mati Diop
Tuesday, 20. 05. 2025 / 20:15 / Small Hall
A poetic documentary by Franco-Senegalese director Mati Diop gives voice to artefacts returning from exile in France to their homeland, Benin, and listens to young people as they discuss the significance of this historic event.
How to Make Millions Before Grandma Dies Lahn Mah
Pat Boonnitipat
Wednesday, 21. 05. 2025 / 15:30 / Main Hall
A young Thai director wraps important questions about family, intergenerational ties, and the pursuit of happiness into a touching dramedy that broke all box office records at home and became a cultural phenomenon. Bring your grandma – and don’t forget the tissues!