Animanimusical Animanimusical

različni avtorji / 2024 / 30 min / No dialogue / 4+

Programme of short animated comedies.

Rockin' Rhino Nashorntwist
Verena Fels, Germany, 2013
Dancing is so much fun! But if you have to dance all by yourself it's only half the fun. So the little rhino needs to come up with an idea to make everyone dance with it.

Spuffies Spacapufi
Jaka Ivanc, Slovenia, 2021
Spuffies have a serious thing for jubees. When they've eaten the very last delicious fruit and hunger is about to strike, they head to the jubee grove, through the murky forest.

Hello, Summer Ahoj leto
Martin Smatana, Veronika Zacharova, Slovakia / Czechia / France, 2024
Sea, sun, beaches, and family holidays. But what if the hotel isn't as stellar as promised, your room has a bit of a naughty view, the dinner is surprisingly exotic and your luggage travels elsewhere?

Animanimusical
Julia Ocker, Germany, 2024
The Animanimals want to do a big musical performance but somebody got the wrong notes.

What's On

Rendez-vous with coffee and talk / Sold Out

Little Trouble Girls Kaj ti je deklica

Urška Djukić

Wednesday, 18. 03. 2026 / 10:00 / Main Hall

Urška Djukić’s (Granny’s Sexual Life) debut feature explores the power of girls’ voices to overturn traditional ideas and patriarchal patterns through the eyes of a shy and sensitive 16-year-old girl, Lucija. The opening film of the Perspectives Competition and winner of the FIPRESCI Award for Best First Film at this year’s Berlinale.

Documentary Film Festival

Videoheaven Videoheaven

Alex Ross Perry

Wednesday, 18. 03. 2026 / 17:00 / Main Hall

Socio-cultural hub, consumer mecca, and source of existential dread; the video rental store forever changed the way we interact with movies. With narration by Maya Hawke over footage culled from hundreds of sources, Perry’s Videoheaven tells the story of an industry’s seismic impact on American movie culture.

Fiume o morte! Fiume o morte!

Igor Bezinović

Wednesday, 18. 03. 2026 / 19:15 / Small Hall

On 12 September 1919, a troop of some three hundred soldiers under the leadership of the flamboyant war-loving Italian poet Gabriele D’Annunzio swooped into the Northern-Adriatic port town of Fiume, now Rijeka, wanting to annex the city to Italy. Over the course of the next 16 months, during what is regarded as one of the most bizarre militant sieges of all time his official photography team captured over 10,000 images. A century later, Igor Bezinović orchestrates a direct-action history lesson focused on the siege and its modern-day implications.