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In Frist Timers from 1 March 2025

Animanimusical Animanimusical

različni avtorji / 2024 / 30 min / No dialogue / 4+

Programme of short animated comedies.

Rockin' Rhino Nashorntwist 
Verena Fels, Germany, 2013
Dancing is so much fun! But if you have to dance all by yourself it's only half the fun. So the little rhino needs to come up with an idea to make everyone dance with it.

Spuffies Spacapufi
Jaka Ivanc, Slovenia, 2021 
Spuffies have a serious thing for jubees. When they've eaten the very last delicious fruit and hunger is about to strike, they head to the jubee grove, through the murky forest.

Hello, Summer Ahoj leto 
Martin Smatana, Veronika Zacharova, Slovakia / Czechia / France, 2024
Sea, sun, beaches, and family holidays. But what if the hotel isn't as stellar as promised, your room has a bit of a naughty view, the dinner is surprisingly exotic and your luggage travels elsewhere?

Animanimusical
Julia Ocker, Germany, 2024
The Animanimals want to do a big musical performance but somebody got the wrong notes.

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What's On

Stealing Land Zemljo krast

Žiga Virc

Tuesday, 28. 04. 2026 / 16:20 / Main Hall

When a children’s game sparks political debates at the dinner table, an evening of absurd conflicts, low blows, and unexpected confrontations begins… This feature-length film is a sparkling, witty social satire in which parents fight not only for a better future for their children, but also for their own egos.

Shout or You Are Out Kdor ne skače

Boris Petkovič

Tuesday, 28. 04. 2026 / 17:15 / Small Hall

The cries and echoes of the Slovenian national consciousness, expressed through sport, memory and collective emotion. Drawing on archival footage, personal anecdotes and social reflection, this documentary explores how a nation is shaped through supporting a team – and what, and who, is left behind.

Two Prosecutors Dva prokurora

Sergej Loznica

Tuesday, 28. 04. 2026 / 18:00 / Main Hall

This film by Ukrainian director Sergei Loznitsa (A Gentle Creature, Donbass) is a Kafkaesque exploration of a totalitarian regime. It is suffused with an overwhelming sense of inevitability and laced with the director’s signature grotesque humour.