The Box Office is open from 16:45 till 20:30 (will open in 09:03).

Living Living

Oliver Hermanus / United Kingdom / 2022 / 102 min / English

Living tells the story of a civil servant who has spent his entire working life buried under paperwork, but at the eleventh hour decides to turn his grey existence into something beautiful. This adaptation of Kurosawa’s Ikiru was written by Nobel Prize Winner Kazuo Ishiguro (The Remains of the Day). Nominated for the Oscar for Best Adapted Screenplay and Best Actor.

cast Bill Nighy, Aimee Lou Wood, Alex Sharp, Tom Burke

IMDb

Photos

“A master class in how to adapt – and improve! – a fine original screenplay from one cultural setting to another. Ishiguro actually manages to make an already subtle, quiet drama even subtler, and more emotional.” – Cinema Scope. “An absolutely gorgeous, heartbreaking piece of work.”
Rolling Stone

Kinodvor. Newsletter.

Join our mailing list and receive details of upcoming films and events!

What's On

Mondays / Two by Amir Naderi

Cut Cut

Amir Naderi

Monday, 13. 04. 2026 / 17:45 / Main Hall

Shuji is a young filmmaker and devoted cinephile. He organises impromptu screenings of classic films on the roof of his apartment block and protests against multiplexes and the industry that is destroying the art of film on the streets of Tokyo. One day, he learns that his brother, who had helped finance his films, has been beaten to death by the Yakuza over unpaid debts. Shuji resolves to repay the debt by working as a human punching bag in the bathroom of the club where his brother was killed.

The Tale of Silyan Prikaznata za Siljan

Tamara Kotevska

Monday, 13. 04. 2026 / 18:15 / Small Hall

Inspired by ancient myths and folk tales, Tamara Kotevska’s film is a moving documentary fairy tale about a farmer and his unique bond with a white stork.

Two Prosecutors Dva prokurora

Sergej Loznica

Monday, 13. 04. 2026 / 20:30 / Main Hall

This film by Ukrainian director Sergei Loznitsa (A Gentle Creature, Donbass) is a Kafkaesque exploration of a totalitarian regime. It is suffused with an overwhelming sense of inevitability and laced with the director’s signature grotesque humour.