The film that explores the artist’s turbulent life and mysterious death in the manner of a true detective story was nominated for the Academy Award and the European Film Academy Award for Animated Feature Film, and won the Audience Award in Annecy.
Loving Vincent Loving Vincent
Honouring Vincent van Gogh’s legacy, the creators made the first fully painted feature film, where each frame is a hand-painted oil painting.
Directed by Dorota Kobiela, Hugh Welchman, Written by Dorota Kobiela, Hugh Welchman, Jacek Dehnel, Cinematographers Tristan Oliver, Lukasz Zal, Original Music Clint Mansell, Editors Justyna Wierszynska, Dorota Kobiela, Voices Douglas Booth, Robert Gulaczyk, Eleanor Tomlinson, Jerome Flynn, Saoirse Ronan, Chris O’Dowd, John Sessions, Aidan Turner, Helen McCrory, Executive Producers David Parfitt, Laurie Ubben, Charlotte Ubben, Producers Hugh Welchman, Sean Bobbitt, Ivan Mactaggart, Production BreakThru Films, Co-production Trademark Films, With the support of The Polish Film Institute, Doha Film Institute, MEDIA, Unibail-Rodamco, Royal Talens, Distribution 2i Film
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What's On
LIFFe
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Avantpremieres
Stealing Land Zemljo krast
Žiga Virc
Thursday, 20. 11. 2025 / 17:00 / Main Hall
Filmed over a period of two days, this biting social satire focuses on the volatility of tolerance and how ordinary conversation can quickly turn into an ideological clash of opinions.
LIFFe
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Perspectives
Wind, Talk to Me Vetre, pričaj sa mnom
Stefan Đorđević
Thursday, 20. 11. 2025 / 19:00 / Main Hall
On a mission to complete a cinematic tribute to his deceased mother, Serbian director Stefan Đorđević looks into loss and the grieving process in a struggle to come to terms with his own bereavement.
Fiume o morte! Fiume o morte!
Igor Bezinović
Thursday, 20. 11. 2025 / 20:15 / Small Hall
On 12 September 1919, a troop of some three hundred soldiers under the leadership of the flamboyant war-loving Italian poet Gabriele D’Annunzio swooped into the Northern-Adriatic port town of Fiume, now Rijeka, wanting to annex the city to Italy. Over the course of the next 16 months, during what is regarded as one of the most bizarre militant sieges of all time his official photography team captured over 10,000 images. A century later, Igor Bezinović orchestrates a direct-action history lesson focused on the siege and its modern-day implications.