Young Hearts Young Hearts
directed by Anthony Schatteman, screenplay Anthony Schatteman, cinematography Pieter Van Campe, editing Emiel Nuninga, music Ruben De Gheselle , producer Xavier Rombaut, cast Lou Goossens (Elias), Marius De Saeger (Alexander), Geert Van Rampelberg (Luk), Dirk Van Dijck (Fred), Emilie De Roo (Nathalie), distribution FIVIA
festivals, awards Berlinale 2024 Kplus (Special Mention), Seattle 2024 (Special Mention), Cannes 2024, Zlin 2024
IMDbPhotos
al Mention), Cannes 2024, Zlin 2024 about the author
Born in 1989 in Belgium. He graduated from the KASK School of Arts in Ghent after which he obtained a master's degree in Film Studies and Visual Culture at the University of Antwerp. The world of young people and their relationships with the people around them form a common thread in his work. His first short film, Kiss me Softly, was a true festival favourite. His debut film, Young Hearts, premiered at the Berlinale Generation Kplus. ‘’I hope people will see it as just a love story, a story about falling in love for the first time. About daring to follow your heart and jumping in the deep end. It’s about those overwhelming and scary feelings everyone has known.’’
- Anthony Schatteman
What's On
Anora Anora
Sean Baker
Friday, 11. 07. 2025 / 21:30 / The Ljubljana Castle
Shot in his signature style, Sean Baker’s comedy-drama continues the director’s deeply humanist exploration of social issues. Palme d’Or at the Cannes Film Festival.
The Phoenician Scheme The Phoenician Scheme
Wes Anderson
Saturday, 12. 07. 2025 / 21:30 / The Ljubljana Castle
Wes Anderson’s latest film is coming to Kinodvor straight from its world premiere in Cannes.
Maria Maria
Pablo Larraín
Sunday, 13. 07. 2025 / 21:30 / The Ljubljana Castle
Chilean director Pablo Larraín, known for Jackie and Spencer, returns with the third instalment of his unofficial trilogy about iconic, tragic women of the 20th century. The film imagines the last week in the life of the legendary opera diva Maria Callas as she struggles with the increasingly blurred lines between the celebrated ‘La Callas’ and the vulnerable, fragile Maria.