The Box Office is open from 12:00 till 21:00 (closed for today).

East Of Eden: Between Life And Death Vzhodno od raja: med življenjem in smrtjo

various / 90 min

Sine Die, Camila Moreiras; Survive, Lara Milena Brose, Kilian Armando Friedrich; Sad Machines, Paola Michaels; Will My Parents Come to See Me, Mo Harawe; Goodbye Jerome!, Adam Sillard, Gabrielle Selnet, Chloé Farr

Sine Die
Spain, documentary, 2021, 15'
Director: Camila Moreiras
Screenplay: Camila Moreiras
Cinematography: Camila Moreiras
Editing: Pablo Gil, Camila Moreiras
Sound: Alejandra Molina
Production: Inicia Films (Valérie Delpierre)

Amid desert landscapes and chain-link fences, plutonium lay scattered and buried in the town of Palomares, Spain. A voiceover narration describes an undisclosed medical condition, and land and body converge in the uncomfortable difference between recovery and survival.

Überleben Survive
Germany, documentary, 2021, 30'
Director: Lara Milena Brose, Kilian Armando Friedrich
Cinematography: Jacob Kohl
Editing: Katharina Fiedler
Sound: Gerhard Auer
Music: Silvio Buchmeier
Production: HFF München, Tobias Bissinger, Max Wallner

Burnt-out twentysomething Leon is struggling in a residential rehab clinic. His father Hans-Joachim, by contrast, is brimming with zest for life — in fact, this landscape artist is planning to live forever as a ‘homo digitalis’.

Las máquinas tristes Sad Machines
Argentine, Columbia, experimental, 2021, 9'
Director: Paola Michaels
Screenplay: Paola Michaels
Editing: Paola Michaels
Production: Ignacio Masllorens

What is the relationship between the thought of Jacques Lacan, Samuel Beckett and robotic machines? Paola Michaels proposes a possible cinematic response: with grace and intelligence, using archival footage, she creates an a priori unimaginable dialogue.

Will My Parents Come to See Me
Austria, Germany, Somalia, igrani fiction, 2022, 28'
Director: Mo Harawe
Screenplay: Mo Harawe
Cinematography: Steven Samy
Editing: Alexander von Piechowski
Sound: Mohamed Abdinur Isse
Cast: Xaliimo Cali Xasan, Shucayb Abdirahman Cabdi, Maxamed Axmed Maxamed, Mohamed Hersi
Production: Mo Harawe, Alexander von Piechowski, Nuux Muuse Birjeeb, Ahmed Farah

The female prison guard wants to know what the man would like for his last meal. ‘Meat and a Coke’, the young inmate replies. Familiar with the prescribed procedures, she accompanies him through his final day. It is a difficult walk towards the inevitable. ‘Will my parents come to see me?’ he asks quietly.

Au revoir Jérôme! Goodbye Jérôme!
France, animation, 2022, 8'
Director: Adam Sillard, Gabrielle Selnet, Chloé Farr
Screenplay: Adam Sillard, Gabrielle Selnet, Chloé Farr
Animation: Adam Sillard, Gabrielle Selnet, Chloé Farr
Editing: Adam Sillard, Gabrielle Selnet, Chloé Farr
Sound: Clément Naline
Music: Anna Cordonnier, Amandine Robillard
Production: Gobelins, l’école de l’image (Moïra Marguin) 

Having just arrived in paradise, Jerome sets out to find his wife Maryline. In the course of his search, he sinks into a surreal and colourful world in which no one seems to be able to help him.

Kinodvor. Newsletter.

Join our mailing list and receive details of upcoming films and events!

What's On

Leave No Traces Żeby nie było śladów

Jan P. Matuszyński

Thursday, 06. 10. 2022 / 17:15 / Main Hall

A true story about police violence in communist Poland becomes the substance for a gloomy and suspense-ridden drama inspired by the political thrillers of new Hollywood.

Moonage Daydream Moonage Daydream

Brett Morgen

Thursday, 06. 10. 2022 / 20:30 / Main Hall

This striking, genre-defying audio-visual experience takes us on a kaleidoscopic journey through the life and work of David Bowie, one of the most prolific, influential, and enigmatic artists of our era. Featuring a wealth of previously unseen footage, the film premiered at the 2022 Cannes festival.

The Velvet Queen La panthère des neiges

Marie Amiguet, Vincent Munier

Friday, 07. 10. 2022 / 15:30 / Main Hall

In the heart of the Tibetan highlands, photographer Vincent Munier takes writer Sylvain Tesson on his quest to find the snow leopard. He introduces him to the subtle art of waiting in a blind spot, tracking animals and finding the patience to catch sight of the beasts. On their journey through the Tibetan peaks, inhabited by invisible presences, the two men engage in a conversation about our place among the living beings and celebrate the beauty of the world.