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East Of Eden: Between Life And Death Vzhodno od raja: med življenjem in smrtjo

various / 90 min

Sine Die, Camila Moreiras; Survive, Lara Milena Brose, Kilian Armando Friedrich; Sad Machines, Paola Michaels; Will My Parents Come to See Me, Mo Harawe; Goodbye Jerome!, Adam Sillard, Gabrielle Selnet, Chloé Farr

Sine Die
Spain, documentary, 2021, 15'
Director: Camila Moreiras
Screenplay: Camila Moreiras
Cinematography: Camila Moreiras
Editing: Pablo Gil, Camila Moreiras
Sound: Alejandra Molina
Production: Inicia Films (Valérie Delpierre)

Amid desert landscapes and chain-link fences, plutonium lay scattered and buried in the town of Palomares, Spain. A voiceover narration describes an undisclosed medical condition, and land and body converge in the uncomfortable difference between recovery and survival.

Überleben Survive
Germany, documentary, 2021, 30'
Director: Lara Milena Brose, Kilian Armando Friedrich
Cinematography: Jacob Kohl
Editing: Katharina Fiedler
Sound: Gerhard Auer
Music: Silvio Buchmeier
Production: HFF München, Tobias Bissinger, Max Wallner

Burnt-out twentysomething Leon is struggling in a residential rehab clinic. His father Hans-Joachim, by contrast, is brimming with zest for life — in fact, this landscape artist is planning to live forever as a ‘homo digitalis’.

Las máquinas tristes Sad Machines
Argentine, Columbia, experimental, 2021, 9'
Director: Paola Michaels
Screenplay: Paola Michaels
Editing: Paola Michaels
Production: Ignacio Masllorens

What is the relationship between the thought of Jacques Lacan, Samuel Beckett and robotic machines? Paola Michaels proposes a possible cinematic response: with grace and intelligence, using archival footage, she creates an a priori unimaginable dialogue.

Will My Parents Come to See Me
Austria, Germany, Somalia, igrani fiction, 2022, 28'
Director: Mo Harawe
Screenplay: Mo Harawe
Cinematography: Steven Samy
Editing: Alexander von Piechowski
Sound: Mohamed Abdinur Isse
Cast: Xaliimo Cali Xasan, Shucayb Abdirahman Cabdi, Maxamed Axmed Maxamed, Mohamed Hersi
Production: Mo Harawe, Alexander von Piechowski, Nuux Muuse Birjeeb, Ahmed Farah

The female prison guard wants to know what the man would like for his last meal. ‘Meat and a Coke’, the young inmate replies. Familiar with the prescribed procedures, she accompanies him through his final day. It is a difficult walk towards the inevitable. ‘Will my parents come to see me?’ he asks quietly.

Au revoir Jérôme! Goodbye Jérôme!
France, animation, 2022, 8'
Director: Adam Sillard, Gabrielle Selnet, Chloé Farr
Screenplay: Adam Sillard, Gabrielle Selnet, Chloé Farr
Animation: Adam Sillard, Gabrielle Selnet, Chloé Farr
Editing: Adam Sillard, Gabrielle Selnet, Chloé Farr
Sound: Clément Naline
Music: Anna Cordonnier, Amandine Robillard
Production: Gobelins, l’école de l’image (Moïra Marguin) 

Having just arrived in paradise, Jerome sets out to find his wife Maryline. In the course of his search, he sinks into a surreal and colourful world in which no one seems to be able to help him.

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What's On

Shout or You Are Out Kdor ne skače

Boris Petkovič

Wednesday, 01. 04. 2026 / 19:45 / Small Hall

The cries and echoes of the Slovenian national consciousness, expressed through sport, memory and collective emotion. Drawing on archival footage, personal anecdotes and social reflection, this documentary explores how a nation is shaped through supporting a team – and what, and who, is left behind.

The Secret Agent O agente secreto

Kleber Mendonça Filho

Wednesday, 01. 04. 2026 / 20:30 / Main Hall

Kleber Mendonça Filho (Aquarius) vividly conjures the colours, smells and sounds of 1970s Brazil – a time “when the walls had ears and any movement could be suspicious”. The Secret Agent is an unpredictable and witty political thriller, but above all, a loving portrait of a place and its people. Winner of Best Director and Best Actor at Cannes, as well as Best Actor (Drama) and Best Non-English Language Film at the Golden Globe Awards.

The Stranger L'étranger

François Ozon

Thursday, 02. 04. 2026 / 17:20 / Main Hall

François Ozon brings to the screen a striking adaptation of The Stranger, the iconic existentialist novel by Albert Camus.