The Italian maestro of subversion and provocation, Marco Ferreri, quite rightly referred to his grotesque comedy as “physiological satire”. Not only did he hold up the mirror to the decadence and vulgarity of the greedy consumer-oriented society, but he also provoked terrible heartburn. In 1973, The Grande Bouffe triggered a scandal among audience and critics in Cannes and was at the same time awarded the best film award by the International Federation of Film Critics (FIPRESCI).
The Big Feast La Grande bouffe
Pilot Marcello, TV host Michel, gourmet chef Ugo, and judge Philippe are four middle-aged friends. Bored after attaining great success in life, they withdraw to a dilapidated villa in the outskirts of Paris to indulge in orgies and decadent eating.
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What's On
Fiume o morte! Fiume o morte!
Igor Bezinović
Sunday, 09. 11. 2025 / 18:00 / Small Hall
On 12 September 1919, a troop of some three hundred soldiers under the leadership of the flamboyant war-loving Italian poet Gabriele D’Annunzio swooped into the Northern-Adriatic port town of Fiume, now Rijeka, wanting to annex the city to Italy. Over the course of the next 16 months, during what is regarded as one of the most bizarre militant sieges of all time his official photography team captured over 10,000 images. A century later, Igor Bezinović orchestrates a direct-action history lesson focused on the siege and its modern-day implications.
The Brutalist The Brutalist
Brady Corbet
Sunday, 09. 11. 2025 / 19:00 / Main Hall
A monumental epic about a Jewish architect who, in the post-World War II era, comes to grips with the dark side of the American dream. Winner of the Golden Lion for Best Direction in Venice.
Last Screening
Mirrors No. 3 Miroirs No. 3
Christian Petzold
Monday, 10. 11. 2025 / 17:00 / Main Hall
Christian Petzold once again explores themes of loss, memory, and identity – this time in a mysterious family psychodrama, a modern fairy tale for adults, in which two women try to piece together the fragments of their broken lives.