The Box Office is open from 10:00 till 21:10 (open for another 02:55, phone: +386 1 239 22 17).
From 10 May 2025

Flow Straume

Gints Zilbalodis / Latvia, France, Belgium / 2024 / 84 min / No dialogue / 8+

Cat is a solitary animal. However, as its home is devastated by a great flood, he finds refuge on a boat populated by various species, and will have to team up with them despite their differences. In this lonesome boat sailing through mystical flooded landscapes, they navigate the challenges and dangers of adapting to this new world. »A survival epic full of mysteries and magic, it’s an animated epic worthy of Ghibli.« – Time Out. »One of the most moving animated films in recent memory, and, beyond that, groundbreaking too.« – IndieWire. Oscar for Best Animated Feature.

directed by Gints Zilbalodis, written by Gints Zilbalodis, Matīss Kaža, director of animation Léo Silly-Pélissier, editing Gints Zilbalodis, music composers Gints Zilbalodis, Rihards Zaļupe, sound design Gurwal Coïc-Gallas, producers Matīss Kaža, Gints Zilbalodis, Ron Dyens, Gregory Zalcman, production Sacrebleu Productions, Take Five, Dream Well Studio

IMDb

This is a journey full of obstacles, but also of beauty and tenderness, offering a much-needed reflection on the importance of community in building new worlds. An Annecy award-winning film that does not impose human qualities on animals, but simply lets them be what they are: animals.

Director's Statement
I feel like it can go deeper in the subconscious than live action could. Animation is not as affected by cultural or language barriers as live action is. It can be much more universal and primal. But at the same time, I don't think it should be seen as something different. It's just another storytelling technique. I felt that Flow’s story could only be done in animation because of the animals and the camera moves I had in mind. I hope that it is not going to be perceived only as an animated film because it's very much influenced by live action movies. So Flow is like all my live action and animated movies influences mixed together.

Not everything is explained in the film. We don't really explain why the flood comes, what it means, or the signification of the statues that the characters discover. There are some hints here and there, why they might be there, but it's not really explained. I'm not interested in making a puzzle that the audience has to solve. Flow is not about finding out the meaning, it's about embracing the whole experience.

The title reflects the road movie aspect of the film, since the action is set mostly in this boat moving forwards constantly. The road movie aspect is important, because we get to discover all these different environments, and because there are no dialogues. 

We wanted to avoid showing animals behaving like humans or have them think the way humans do. The characters' goals are primal and very simple, which is necessary, since we do not use dialogues. But although the characters have simple goals, it does not mean they are less deep, less significant. In other words, it's simple, not simplistic. We want to use these basic ideas and have enough time to fully explore them. We do not rush over them.

Kinodvor. Online.

You can't come to the cinema? You can watch this film online. Available only in Slovenia.

Monday, 23. 06. 2025

Kinobalonov poletni počitniški program 2025

Filmi aktualne sezone še zadnjič na sporedu v mesecu avgustu. Med tednom dopoldan ter ob sobotah in nedeljah. Za počitniške skupine in za izven.

Kinodvor. Newsletter.

Join our mailing list and receive details of upcoming films and events!

What's On

Small Things Like These Small Things Like These

Tim Mielants

Sunday, 19. 10. 2025 / 19:00 / Main Hall

Ireland, 1985. Bill Furlong (Cillian Murphy) works as a coal merchant to support himself, his wife and their five daughters. While delivering coal to the local convent of the Magdalene Sisters, he begins to suspect that the girls’ school they run is in fact a cruel and exploitative laundry … The film, which is based on Claire Keegan’s novel of the same name, opened the Berlinale.

Sold Out

Fiume o morte! Fiume o morte!

Igor Bezinović

Sunday, 19. 10. 2025 / 20:00 / Small Hall

On 12 September 1919, a troop of some three hundred soldiers under the leadership of the flamboyant war-loving Italian poet Gabriele D’Annunzio swooped into the Northern-Adriatic port town of Fiume, now Rijeka, wanting to annex the city to Italy. Over the course of the next 16 months, during what is regarded as one of the most bizarre militant sieges of all time his official photography team captured over 10,000 images. A century later, Igor Bezinović orchestrates a direct-action history lesson focused on the siege and its modern-day implications.

Sex Sex

Dag Johan Haugerud

Sunday, 19. 10. 2025 / 21:10 / Main Hall

Sex, Love and Dreams—not necessarily in that order—are the chapters in a loosely connected trilogy set in contemporary Oslo. In Sex, an intimate conversation between two men sparks a witty and refreshingly honest reflection on sexuality and gender roles in our society.