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Animateka 2012

Competition Programme IV (2012) Tekmovalni program IV (2012)

various / 83 min

Kohatu olmeheidutus / Domestic Fitless
Hardi Volmer (OÜ Nukufilm)
Estonija/Estonia, 2011, HD, 13'

A young and strong human body is mother nature’s piece of art. But should everything it faces become art as well? And if all art is only an imitation, then what does the world of fine arts imitate if some its closets are full of hidden 3D ghosts?

Transition 89
Lia (Lia)
Avstrija/Austria, 2011, HD, 5'45''

Transition 89 is a new audiovisual work by Lia and @c. Based on the composition “89” by @c, Lia has created a visual transcription of the sound in HD 16:9 format.

Tulipán / Tulip
Gábor Ulrich (Kecskemétfilm)
Madžarska/Hungary, 2012, HD, 3'15''

"… the night before it had thoroughly fertilized its pistils, after which it had a good night’s sleep. But at five in the morning – flowers are notoriously early risers – it flung itself down into the street from the fourth story window…"

Kärbeste veski / Fly Mill
Anu-Laura Tuttelberg (Estonian Academy of Arts)
Estonija/Estonia, 2012, DCP, 7’

A miller who lives in an old water mill bakes daily bread and raises ducklings whom he wishes to one day set free. But on the field next to his home, hunters go to shoot birds.

Agnieszka
Izabela Bartosik-Burkhardt (Donten & Lacroix Films/WFDIF/Les Films de l'Arlequin)
Poljska, Francija/Poland, France, 2011, 35 mm, 09'30''

Following some harmless children's game, Agnieszka experiences a family breakup which causes her to withdraw into herself. The events she goes through in her loneliness allow her to finally reconnect with her mother and come out of seclusion.

Fliper / Pinball
Darko Vidačković (Bonobostudio)
Hrvaška/Croatia, 2012, HD, 7'30'

As in a pinball game, the trajectory of the ball after launching is undetermined. The player’s actions direct the ball, make sense of its movements, leave their trace, but not in the long run.

Borderline
Dustin Rees (Gerd Gockell)
Švica/Switzerland, 2011, HD, 7'

A border guard tries to take his own life, but not all barriers can be crossed.

Dobrá rada / A Well-Meant Advice
Pavel Koutsky (AniFest s.r.o.)
Češka/Czech Republic, 2011, HD, 4'17''

What happens when animals enslaved by people decide to rebel? Lab rabbits, hares in fields running away from hunters and pigs going to slaughter revolt one day and angrily decide to strike back. This film carries an important message - if we want somebody to treat us nicely, we need to treat them nicely first.

Ursus
Reinis Pētersons (Atom Art)
Latvija/Latvia, 2011, HD, 10'30''

A story about a bear who works as an acrobat-motorcyclist in a traveling circus during the day, but yearns for wildlife and forest at night, where his true happiness seems to dwell. One day, the bear decides to leave everything and takes off to the forest.

Předposlední Myšlenky / Penultimate Thoughts
Kaoru Ishida (Jiří Slavíček)
Češka/Czech Republic, 2012, digiBeta, 5'02''

A film inspired by Erik Satie's music and text Avant-Dernieres Pensees.

Kolmnurga afäär / The Triangle Affair
Andres Tenusaar (OÜ Nukufilm)
Estonija/Estonia, 2012, HD, 10'

There is no triangle without corners. There is no direction without a triangle. There is no movement without a direction.

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It Was Just an Accident Yek tasadef sadeh

Jafar Panahi

Wednesday, 04. 03. 2026 / 20:30 / Main Hall

A slowly smouldering moral thriller by Jafar Panahi, inspired by the director’s own experience of imprisonment. The film twists and turns as it probes difficult questions of revenge, trauma and forgiveness, all the while sustaining a vein of bitter, unsettling humour.
Winner of the Palme d’Or at Cannes.

Sentimental Value Affeksjonsverdi

Joachim Trier

Thursday, 05. 03. 2026 / 18:15 / Main Hall

After the success of The Worst Person in the World, Joachim Trier returns with an intimate and deeply moving story about family, memory, and the unifying power of art. Winner of the Grand Jury Prize in Cannes and nominated for eight Golden Globes.

Fiume o morte! Fiume o morte!

Igor Bezinović

Thursday, 05. 03. 2026 / 19:45 / Small Hall

On 12 September 1919, a troop of some three hundred soldiers under the leadership of the flamboyant war-loving Italian poet Gabriele D’Annunzio swooped into the Northern-Adriatic port town of Fiume, now Rijeka, wanting to annex the city to Italy. Over the course of the next 16 months, during what is regarded as one of the most bizarre militant sieges of all time his official photography team captured over 10,000 images. A century later, Igor Bezinović orchestrates a direct-action history lesson focused on the siege and its modern-day implications.