“One of the most grippingly brilliant films of the year, featuring, in Cate Blanchett’s mesmerising central turn, perhaps the season’s first truly irreplaceable star performance.”
– Sight & Sound
TÁR TÁR
Lydia Tár is widely considered one of the greatest living composer-conductors. As the first-ever female musical director of a major German orchestra, she is preparing for her much-anticipated live performance of Mahler’s Fifth, while in New York her book Tár on Tár is about to be launched. But on the eve of the big days ghosts from the past begin to shake her all too perfect career…
directed by Todd Field, cast Cate Blanchett, Noémie Merlant, Nina Hoss, Sophie Kauer, Julian Glover, Allan Corduner, Mark Strong
festivals, awards Six oscar nominations
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What's On
Late Shift Heldin
Petra Volpe
Monday, 16. 03. 2026 / 14:50 / Main Hall
Shot with the pacing and tension of a thriller, Late Shift follows a single night in the working life of a nurse in an overcrowded Swiss hospital. Both gripping and compassionate, the film is a tribute to the extraordinary people who stand by us in the most vulnerable moments of our lives.
Peacemaker Mirotvorac
Ivan Ramljak
Monday, 16. 03. 2026 / 17:00 / Main Hall
In 1991, on the outskirts of Tenja, Josip Reihl Kir – the chief of the Osijek Police Department, a man dedicated to negotiations and avoiding war – was assassinated. Peacemaker is a story about the last few months of his life, in the dawn of the bloodthirsty Croatian-Serbian war, which Kir had been trying hard to prevent, told through the statements of a few witnesses and archive materials from the era. Many elements of that assassination still remain unclear.
Fiume o morte! Fiume o morte!
Igor Bezinović
Monday, 16. 03. 2026 / 19:00 / Small Hall
On 12 September 1919, a troop of some three hundred soldiers under the leadership of the flamboyant war-loving Italian poet Gabriele D’Annunzio swooped into the Northern-Adriatic port town of Fiume, now Rijeka, wanting to annex the city to Italy. Over the course of the next 16 months, during what is regarded as one of the most bizarre militant sieges of all time his official photography team captured over 10,000 images. A century later, Igor Bezinović orchestrates a direct-action history lesson focused on the siege and its modern-day implications.