“One of the most grippingly brilliant films of the year, featuring, in Cate Blanchett’s mesmerising central turn, perhaps the season’s first truly irreplaceable star performance.”
– Sight & Sound
TÁR TÁR
Lydia Tár is widely considered one of the greatest living composer-conductors. As the first-ever female musical director of a major German orchestra, she is preparing for her much-anticipated live performance of Mahler’s Fifth, while in New York her book Tár on Tár is about to be launched. But on the eve of the big days ghosts from the past begin to shake her all too perfect career…
directed by Todd Field, cast Cate Blanchett, Noémie Merlant, Nina Hoss, Sophie Kauer, Julian Glover, Allan Corduner, Mark Strong
festivals, awards Six oscar nominations
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Little Trouble Girls Kaj ti je deklica
Urška Djukić
Wednesday, 18. 03. 2026 / 10:00 / Main Hall
Urška Djukić’s (Granny’s Sexual Life) debut feature explores the power of girls’ voices to overturn traditional ideas and patriarchal patterns through the eyes of a shy and sensitive 16-year-old girl, Lucija. The opening film of the Perspectives Competition and winner of the FIPRESCI Award for Best First Film at this year’s Berlinale.
Videoheaven Videoheaven
Alex Ross Perry
Wednesday, 18. 03. 2026 / 17:00 / Main Hall
Socio-cultural hub, consumer mecca, and source of existential dread; the video rental store forever changed the way we interact with movies. With narration by Maya Hawke over footage culled from hundreds of sources, Perry’s Videoheaven tells the story of an industry’s seismic impact on American movie culture.
Fiume o morte! Fiume o morte!
Igor Bezinović
Wednesday, 18. 03. 2026 / 19:15 / Small Hall
On 12 September 1919, a troop of some three hundred soldiers under the leadership of the flamboyant war-loving Italian poet Gabriele D’Annunzio swooped into the Northern-Adriatic port town of Fiume, now Rijeka, wanting to annex the city to Italy. Over the course of the next 16 months, during what is regarded as one of the most bizarre militant sieges of all time his official photography team captured over 10,000 images. A century later, Igor Bezinović orchestrates a direct-action history lesson focused on the siege and its modern-day implications.