“One of the most grippingly brilliant films of the year, featuring, in Cate Blanchett’s mesmerising central turn, perhaps the season’s first truly irreplaceable star performance.”
– Sight & Sound
TÁR TÁR
Lydia Tár is widely considered one of the greatest living composer-conductors. As the first-ever female musical director of a major German orchestra, she is preparing for her much-anticipated live performance of Mahler’s Fifth, while in New York her book Tár on Tár is about to be launched. But on the eve of the big days ghosts from the past begin to shake her all too perfect career…
directed by Todd Field, cast Cate Blanchett, Noémie Merlant, Nina Hoss, Sophie Kauer, Julian Glover, Allan Corduner, Mark Strong
festivals, awards Six oscar nominations
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It Was Just an Accident Yek tasadef sadeh
Jafar Panahi
Wednesday, 11. 03. 2026 / 16:15 / Main Hall
A slowly smouldering moral thriller by Jafar Panahi, inspired by the director’s own experience of imprisonment. The film twists and turns as it probes difficult questions of revenge, trauma and forgiveness, all the while sustaining a vein of bitter, unsettling humour.
Winner of the Palme d’Or at Cannes.
Blum – Gospodari svoje budučnosti Blum – Gospodari svoje budučnosti
Jasmila Žbanić
Wednesday, 11. 03. 2026 / 18:30 / Main Hall
Emerik Blum, born in Sarajevo and, founded Energoinvest in 1951. In doing so, the entrepreneur launched one of the most successful international corporate histories of what was then socialist Yugoslavia. His recipe for success: people, worker self-management, and innovation.
Fiume o morte! Fiume o morte!
Igor Bezinović
Wednesday, 11. 03. 2026 / 19:15 / Small Hall
On 12 September 1919, a troop of some three hundred soldiers under the leadership of the flamboyant war-loving Italian poet Gabriele D’Annunzio swooped into the Northern-Adriatic port town of Fiume, now Rijeka, wanting to annex the city to Italy. Over the course of the next 16 months, during what is regarded as one of the most bizarre militant sieges of all time his official photography team captured over 10,000 images. A century later, Igor Bezinović orchestrates a direct-action history lesson focused on the siege and its modern-day implications.