Peter describes his life - in his own words, as tense as a Hitchcock film. A hedonist, who found an exciting and fulfilling life through invention. Among his 400 registered patents are plastic slide frames, perfume atomisers, a plastic zip and chain, a knitting loom and a lighter, and was among the first developers of safety airbags. Beyond his life of invention, Florjancic spent his free time among world-renowned stars, from Gene Kelly and Orson Welles to Johnny Weismuller, Coco Chanel, Jacques Cousteau, and found a remarkable neighbour in Charlie Chaplin. In the period in which he lived in Monte Carlo, he was also cast a minor role alongside Marlene Dietrich in feature film directed by Vittorio de Sica.
A Century of Dreams Stoletje sanj
A documentary feature about Slovenian inventor Peter Florjancic, who recently celebrated his 100th birthday.
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What's On
Fiume o morte! Fiume o morte!
Igor Bezinović
Sunday, 03. 05. 2026 / 18:00 / Small Hall
On 12 September 1919, a troop of some three hundred soldiers under the leadership of the flamboyant war-loving Italian poet Gabriele D’Annunzio swooped into the Northern-Adriatic port town of Fiume, now Rijeka, wanting to annex the city to Italy. Over the course of the next 16 months, during what is regarded as one of the most bizarre militant sieges of all time his official photography team captured over 10,000 images. A century later, Igor Bezinović orchestrates a direct-action history lesson focused on the siege and its modern-day implications.
Sex Sex
Dag Johan Haugerud
Sunday, 03. 05. 2026 / 19:00 / Main Hall
Sex, Love and Dreams—not necessarily in that order—are the chapters in a loosely connected trilogy set in contemporary Oslo. In Sex, an intimate conversation between two men sparks a witty and refreshingly honest reflection on sexuality and gender roles in our society.
Two Prosecutors Dva prokurora
Sergej Loznica
Monday, 04. 05. 2026 / 17:00 / Main Hall
This film by Ukrainian director Sergei Loznitsa (A Gentle Creature, Donbass) is a Kafkaesque exploration of a totalitarian regime. It is suffused with an overwhelming sense of inevitability and laced with the director’s signature grotesque humour.