The small mining town of Mizur lies high in the mountains of North Ossetia between steep cliffs. Zaur has settled his family here. He keeps his sons and daughter on a short leash, blind to the line that separates fatherly concern from overprotectiveness. His eldest, Akim, has already run off to the nearest city, Rostov, to find work. Meanwhile, his youngest, Dakko, isn’t entirely sure yet what he wants out of life, while middle child, Ada, is actively planning her own escape. Although she’s already a young woman, her father still insists on treating her like a defenseless little girl. Freeing herself from his strong paternal embrace to finally embark on an independent adult life of her own is proving tougher than she anticipated. But just what is this father trying to protect his daughter from?
What's On
Fantasy Fantasy
Kukla
Monday, 22. 12. 2025 / 21:00 / Main Hall
Mihrije, Sina, and Jasna are best friends in their early twenties. Because of their boyish lifestyle, they often clash with their conservative surroundings. When they meet a transgender woman named Fantasy, a new world opens up to them… In her feature debut, young Slovenian director Kukla asks: “Who am I when there is no one left to define me?” The film won the award for Best Ensemble Cast at the Sarajevo Film Festival.
Father Mother Sister Brother Father Mother Sister Brother
Jim Jarmusch
Tuesday, 23. 12. 2025 / 15:40 / Main Hall
Three stories, sometimes funny, sometimes sad, about the relationship between parents and their adult children. Jim Jarmusch’s “anti-action film” received the Golden Lion in Venice.
Fiume o morte! Fiume o morte!
Igor Bezinović
Tuesday, 23. 12. 2025 / 17:00 / Small Hall
On 12 September 1919, a troop of some three hundred soldiers under the leadership of the flamboyant war-loving Italian poet Gabriele D’Annunzio swooped into the Northern-Adriatic port town of Fiume, now Rijeka, wanting to annex the city to Italy. Over the course of the next 16 months, during what is regarded as one of the most bizarre militant sieges of all time his official photography team captured over 10,000 images. A century later, Igor Bezinović orchestrates a direct-action history lesson focused on the siege and its modern-day implications.