Director's Statement
My stories are reflections of everyday life; biographies of people we can relate to; friends, eccentric relatives, and the colourful people we encounter in the street. I try to get a balance between humour and pathos, light and shade, comedy and tragedy. I invented a word to describe my films, clayographies, a portmanteau term combining clay and biographies.
As an auteur, I have to wear many hats. One of my favourite roles is the Production Designer. Melbourne had one of the longest covid lockdowns but luckily, I was able to spend my confinement prepping for the film. Over five months I hand drew the 1600 storyboard panels on pieces of paper then moved on to drawing the 200 characters, 200 sets and the thousands of props that needed to be handmade. For this film, I wanted to keep the materials and aesthetic simple, and use four basic materials: clay, wire, paper and paint. Too much stopmotion has become slick and reliant on 3D printers. I wanted to celebrate the clay, its lumps, bumps and imperfections.
I was born with a hereditary shake which I have incorporated into my aesthetic. Every asset had to look flawed, asymmetrical; as if made in a hurry or by someone who was drunk. My character's psyches are imperfect and so I wanted their appearance to match my drawings which are loose, gestural and naive. I have a holistic approach to my work and strive for originality. Art imitates life and vice versa; for me they are inseparable and both art and filmmaking have become my yoga.
Memoir of a Snail Memoir of a Snail
Screenings
directed by Adam Elliot, written by Adam Elliot, cinematographer Gerald Thompson, editing Bill Murphy, animation supervisor John Lewis, music composer Elena Kats-Chernin, sound designer David Williams, producers Liz Kearney, Adam Eliott, production Arena Media, Screen Australia
IMDbThe DVD of the film is available in our Bookshop. (List of available DVDs in Slovene only)
Photos
What's On
Little Amélie or the Character of Rain Amélie et la métaphysique des tubes
Maïlys Vallade, Liane-Cho Han
Saturday, 15. 08. 2026 / 16:30 / Main Hall
Amélie is a little Belgian girl born in Japan. Thanks to her friend Nishio-san, life is a succession of adventures and discoveries. But on her third birthday, a single event changes everything. Because for Amélie, this is the age where everything hangs in the balance: happiness as well as tragedy.
Palestine 36 Palestine 36
Annemarie Jacir
Saturday, 15. 08. 2026 / 18:20 / Main Hall
Palestine in 1936. Uprisings against colonial rule are escalating. Yusuf, a peasant’s son, works for an influential family in Jerusalem, longing for a future beyond the unrest. But history is unforgiving. With an increasing number of Jewish immigrants fleeing antisemitism in Europe and the Palestinian population uniting in the largest and longest uprising against thirty years of British rule, conflict seems increasingly inevitable.
Third World Treći svijet
Arsen Oremović
Saturday, 15. 08. 2026 / 19:45 / Small Hall
Third World is more than just a documentary about Haustor, the legendary Zagreb band that left its mark on the former Yugoslavia’s music scene. It is the story of two creative opposites: Darko Rundek and Srđan Sacher. Through candid conversations, a studio reunion, and a wealth of archival material, the film reveals how the two artists’ sensitivity to the magic of everyday life once united their creative worlds – creating a third.