The Box Office is open from 15:30 till 21:30 (will open in 10:21).

Pity Oiktos

Babis Makridis / Greece, Poland / 2018 / 97 min / Greek

A drama by Babis Makridis, a promising representative of the Greek new wave, Pity finds dark humour in a man hopelessly addicted to the sympathy of others, going to increasingly desperate lengths to continue receiving it.

A well-heeled lawyer is distraught. With his wife lying in a coma, each day begins in tears. But despite this sadness, he is not embittered. Actually, he seems to be happy. Is this happiness fuelled by the pity he receives from people – from his secretary to his relatives and neighbours? He’s grown accustomed to pity, addicted even. What a vexing dilemma he’d face were his wife ever to recover.

"It’s not something we like to admit, but as human beings, we revel in other people’s pity. It makes us feel important; like we are the centre of the universe. I believe there are two kinds of pity. One happens when you see a homeless person in the street, so you give him some money and you feel good about it. You – not him. The other kind is the one I decided to explore in the film. It’s about the pity we are trying to get from the others and how far we are willing to go in order to get it." (Babis Makridis)

Babis Makridis
Born in 1970, in the city of Kastoria, in northern Greece. Graduating in film direction from the Stavrakos Film School in Athens, he embarked on his cinematic career as director of commercials and videos. He earned an award for the short The Last Fakir, while his debut feature, L, was selected for the competition at Sundance. Pity is his second feature film.

Kinodvor. Newsletter.

Join our mailing list and receive details of upcoming films and events!

What's On

FeKK VR kino: Rooms

Friday, 23. 08. 2019

Ever since sedentism, mankind has been creating closed and strictly regulated rooms. They facilitate the satisfaction of human drives and therefore provide a basis for our culture. Rooms will let you immerse into five intimate room realities. Having an anthropological view on the presented world, the narration follows the rooms’ archaic processes and watches the rooms’ dramatized physical development.

The White Crow The White Crow

Ralph Fiennes

Friday, 23. 08. 2019 / 19:00 / Main Hall

It is 1961. A young man in a black beret is travelling west, leaving the Soviet Union for the first time. From Rudolf Nureyev’s poverty-stricken childhood and his blossoming as a student dancer in Leningrad, to his arrival in Paris in the early 1960s and a nail-biting stand-off at the Le Bourget airport, The White Crow is the true story of an incredible journey by an artist who transformed the world of ballet forever.