story
Eleven-year-old Hania has to find herself in a completely new environment after moving to another city. She has no friends here, and in addition, her belief in the existence of pixies exposes her to ridicule from her peers. When the girls from her class take away her pendant - a priceless family memento - Hania decides to get it back at all costs. To do this, she must prove that pixies really exist. In this adventurous mission, she will be helped by Michał - a school outsider and young inventor. It is thanks to his support that Hania will reopen to the world and understand that real magic is hidden in friendship.
about the author
Krzysztof Komander is a director, scriptwriter and editor. He graduated from the Krzysztof Kieślowski Film School in Katowice with a degree in film directing. He is a member of the European Film Academy and the Polish Film Academy.
Pixie: The New Beginning Skrzat. Nowy początek
Screenings
derector Krzysztof Komander, script Krzysztof Komander, producer Dagmara Piasecka, director of photography Piotr Dudak, cast Amelia Golda, Maksymilian Zieliński, Arkadiusz Jakubik, Anna Smołowik, Agata Turkot, Wojciech Solarz, Sara Celler-Jezierska, music Wojciech Frycz, distribution in Slovenia Demiurg
festivals, awards Locarno 2025, Schlingel Chemnitz 2025, Athens 2025, Young Horizons Warsaw 2025
IMDbPhotos
What's On
Father Mother Sister Brother Father Mother Sister Brother
Jim Jarmusch
Thursday, 25. 12. 2025 / 18:40 / Main Hall
Three stories, sometimes funny, sometimes sad, about the relationship between parents and their adult children. Jim Jarmusch’s “anti-action film” received the Golden Lion in Venice.
Fiume o morte! Fiume o morte!
Igor Bezinović
Thursday, 25. 12. 2025 / 19:30 / Small Hall
On 12 September 1919, a troop of some three hundred soldiers under the leadership of the flamboyant war-loving Italian poet Gabriele D’Annunzio swooped into the Northern-Adriatic port town of Fiume, now Rijeka, wanting to annex the city to Italy. Over the course of the next 16 months, during what is regarded as one of the most bizarre militant sieges of all time his official photography team captured over 10,000 images. A century later, Igor Bezinović orchestrates a direct-action history lesson focused on the siege and its modern-day implications.