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From 11 March 2025

The Seed of the Sacred Fig Daneh Anjeer Moghadas

Mohammad Rasoulof / Iran, Germany, France / 2024 / 168 min / Slovene subtitles, Persian

In a tense political thriller filmed in secrecy, a family becomes a microcosm of contemporary Iran. Mohammad Rasoulof created the film during the protests under the slogan Women, Life, Freedom. Winner of the Special Jury Prize at Cannes and nominated for the Academy Award for Best International Feature Film.

cast Mahsa Rostami, Setareh Maleki, Niousha Akhshi, Missagh Zareh, Soheila Golestani, Reza Akhlaghirad, Shiva Ordooie

festivals, awards Cannes 2024 (Jury Special Award,FIPRESCI Award), Sydney 2024 (Audience Award)

IMDb

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Additional Screening

Materialists Materialists

Celine Song

Saturday, 23. 08. 2025 / 20:20 / Main Hall

Lucy works at a high-end matchmaking company trying to pair up moneyed entrepreneurs with elite bachelors and bachelorettes. When she meets Harry at the wedding of two of her successfully paired clients, she immediately knows that this ‘unicorn’ would be a perfect catch for a lot of her customers. But Harry is more interested in Lucy. And then her ex suddenly shows up… As we could expect from the director of Past Lives, Materialists is not exactly a romantic comedy about a matchmaker torn between two suitors, but rather a lucid examination of the contradictions of love and dating.

Into the Wonderwoods Angelo dans la forêt mystérieuse

Vincent Paronnaud, Alexis Ducord

Sunday, 24. 08. 2025 / 17:10 / Main Hall

10-year-old Angelo dreams of being an adventurer and explorer.

Mickey 17 Mickey 17

Bong Joon Ho

Sunday, 24. 08. 2025 / 19:00 / Main Hall

Six years after Parasite, Korean director Bong Joon-ho is back with another biting satire (this time set in the distant future) with Robert Pattinson shining in the leading role(s). Its unlikely hero, Mickey Barnes, has found himself in the extraordinary circumstance of working for an employer who demands the ultimate commitment to the job… to die, for a living. »Combining the best parts of Snowpiercer and Okja into something new, this warm and wonderful film suggests that Bong loves people even more than he hates capitalism.« – IndieWire.