The cinema is temporarily closed for renovations and will reopen after August 2nd.

Retrospective: Radu Jude I. Retrospektiva: Radu Jude I.

Radu Jude / Romania / 94 min / Romanian

In the Morning; Alexandra; The Tube With a Hat; It Can Pass Through the Wall

In the Morning / Dimineaţă 
2007, 28’ 

Two characters, one taxi, a crisis and a compromise.

Alexandra
2008, 26’ 

Tavi, a man in his late thirties, discovers that Alexandra, his 4-year-old daughter, is not calling him ’dad’ anymore.

Cev z masko / The Tube With a Hat / Lampa cu căciulă
2006, 23’ 

Marian, a 7-year-old boy from a small and poor Romanian village, wakes up his father and persuades him to go to the city, in order to fix their old TV set. Prehaja skozi stene / It

Can Pass Through the Wall / Trece si prin perete 
2014, 17’ 

An old man tries to play backgammon with friends while babysitting his granddaughter, who's terrified because of the suicide committed by a boy in their building.

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An extravagant and spectacularly bloody body horror film starring the fearless Demi Moore as a faded Hollywood star. A French director delivers a biting critique of society’s obsession with beauty, youth, and fame.

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Thursday, 31. 07. 2025 / 21:30 / The Ljubljana Castle

Rio de Janeiro, early 1970s. The Paiva family live a full and happy life in a house by the beach. One day, however, everything is turned upside-down when the military junta abducts the father. Director Walter Salles (Central Station, The Motorcycle Diaries) based his heartbreaking film on memoirs written by the son of the seven-member family. »An engrossing, affecting tribute to a formidable woman and her family.« – Screen Daily. »A gripping, profoundly touching film with a deep well of pathos. It’s one of Salles’ best.« – The Hollywood Reporter. Oscar for Best International Feature Film.

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In September 1924, one of the greatest masterpieces of the silent era, F.W. Murnau’s Nosferatu: A Symphony of Horror, was shown in a cinema on Kolodvorska Street. One hundred years later, Kinodvor presents a new version of the expressionist classic as envisioned by Robert Eggers.