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FeKK 2025

Restored Slovenian Classics Restavrirani slovenski klasiki

različni avtorji / various / 70 min / Slovene

Youth Builds, France Štiglic; Laundresses from Bizovik, Jože Bevc; Colours of Memory, Jože Babič, Giorgio Sestan; Slavica Exceptional, Mako Sajko; Cukrarna, Jože Pogačnik; Kiss Me Gentle Rubber, Zvonko Čoh

Photos

Mladina gradi / Youth Builds
France Štiglic, Slovenija (Jugoslavija), 1946, 18’ 

Youth work actions in Slovenia within the first few years after liberation.

Bizoviške perice / Laundresses from Bizovik
Jože Bevc, Slovenija (Jugoslavija), 1959, 9’

A report about the village of Bizovik where women do the laundry of city dwellers.

Barva spomina / Colours of Memory 
Jože Babič, Giorgio Sestan, Slovenija (Jugoslavija), 1967, 13’

Paintings and graphic works of Slovenian artist Spacal. An attempt to break into the humanitarianism, synthesis and rhythm of his arts.

Slavica Exception / Slavica Exceptional
Mako Sajko, Slovenija (Jugoslavija), 1971, 11’

A portrait of a professional striper who chose this occupation for its financial benefits.

Cukrarna 
Jože Pogačnik, Slovenija (Jugoslavija), 1973, 13’

Cukrarna, an old building where the poets Murn and Kette once lived, is an important place in Ljubljana. For a long time this building has been the refuge for different people of all occupations and age, a small gallery of tragic human destinies.

Poljubi mehka me radirka / Kiss Me Gentle Rubber
Zvonko Čoh, Slovenija (Jugoslavija), 1984, 6’

A new combination of a drawing put in a classical artistic space and of surrealist contents arising from metaphors and associations.

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What's On

Father Mother Sister Brother Father Mother Sister Brother

Jim Jarmusch

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Three stories, sometimes funny, sometimes sad, about the relationship between parents and their adult children. Jim Jarmusch’s “anti-action film” received the Golden Lion in Venice.

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Wednesday, 04. 02. 2026 / 15:40 / Main Hall

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Fiume o morte! Fiume o morte!

Igor Bezinović

Wednesday, 04. 02. 2026 / 16:30 / Small Hall

On 12 September 1919, a troop of some three hundred soldiers under the leadership of the flamboyant war-loving Italian poet Gabriele D’Annunzio swooped into the Northern-Adriatic port town of Fiume, now Rijeka, wanting to annex the city to Italy. Over the course of the next 16 months, during what is regarded as one of the most bizarre militant sieges of all time his official photography team captured over 10,000 images. A century later, Igor Bezinović orchestrates a direct-action history lesson focused on the siege and its modern-day implications.