“Fiume o morte! is a film on poetry, dynamite, cocaine, machine guns, football, airplanes, furniture flying out of windows, concerts, prisons, sunbathing, thousands of soldiers, millions of bullets, endless speeches, a platypus and on the power of political performativity. D’Annunzio might as well be considered its trailblazer heralding some of the biggest masters of ghastly political showmanship of our age.” (Igor Bezinović)
Fiume o morte! Fiume o morte!
Screenings
Sunday, 19. 04. 2026 / 20:00 / Small Hall
Sold Out
Wednesday, 13. 05. 2026 / 10:00 / Main Hall
Wednesday, 13. 05. 2026 / 15:00 / Main Hall
On 12 September 1919, a troop of some three hundred soldiers under the leadership of the flamboyant war-loving Italian poet Gabriele D’Annunzio swooped into the Northern-Adriatic port town of Fiume, now Rijeka, wanting to annex the city to Italy. Over the course of the next 16 months, during what is regarded as one of the most bizarre militant sieges of all time his official photography team captured over 10,000 images. A century later, Igor Bezinović orchestrates a direct-action history lesson focused on the siege and its modern-day implications.
Photos
What's On
Stealing Land Zemljo krast
Žiga Virc
Monday, 20. 04. 2026 / 16:20 / Main Hall
When a children’s game sparks political debates at the dinner table, an evening of absurd conflicts, low blows, and unexpected confrontations begins… This feature-length film is a sparkling, witty social satire in which parents fight not only for a better future for their children, but also for their own egos.
Ten Skies Ten Skies
James Benning
Monday, 20. 04. 2026 / 18:00 / Main Hall
“I’m thinking of my landscape works now as anti-war artworks—they’re about the antithesis of war, the kind of beauty we’re destroying. The Ten Skies works came about because I’m thinking about what the opposite of war is” – James Benning
Last Screening
No Other Choice Eojjeol suga eopda
Park Chan-wook
Monday, 20. 04. 2026 / 20:15 / Main Hall
A highly entertaining and very timely satire filled with dark humour, vivid characters, and dizzying twists, following a family man who devises his own peculiar way of dealing with unemployment. Prepared over twenty years by Korean master Park Chan-wook (Oldboy, The Handmaiden), the film is among the leading contenders for an Academy Award nomination for Best International Feature Film.