“Fiume o morte! is a film on poetry, dynamite, cocaine, machine guns, football, airplanes, furniture flying out of windows, concerts, prisons, sunbathing, thousands of soldiers, millions of bullets, endless speeches, a platypus and on the power of political performativity. D’Annunzio might as well be considered its trailblazer heralding some of the biggest masters of ghastly political showmanship of our age.” (Igor Bezinović)
Fiume o morte! Fiume o morte!
Screenings
Wednesday, 13. 05. 2026 / 10:00 / Main Hall
Wednesday, 13. 05. 2026 / 15:00 / Main Hall
On 12 September 1919, a troop of some three hundred soldiers under the leadership of the flamboyant war-loving Italian poet Gabriele D’Annunzio swooped into the Northern-Adriatic port town of Fiume, now Rijeka, wanting to annex the city to Italy. Over the course of the next 16 months, during what is regarded as one of the most bizarre militant sieges of all time his official photography team captured over 10,000 images. A century later, Igor Bezinović orchestrates a direct-action history lesson focused on the siege and its modern-day implications.
Photos
What's On
Mondays
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Two by Amir Naderi
Cut Cut
Amir Naderi
Monday, 13. 04. 2026 / 17:45 / Main Hall
Shuji is a young filmmaker and devoted cinephile. He organises impromptu screenings of classic films on the roof of his apartment block and protests against multiplexes and the industry that is destroying the art of film on the streets of Tokyo. One day, he learns that his brother, who had helped finance his films, has been beaten to death by the Yakuza over unpaid debts. Shuji resolves to repay the debt by working as a human punching bag in the bathroom of the club where his brother was killed.
The Tale of Silyan Prikaznata za Siljan
Tamara Kotevska
Monday, 13. 04. 2026 / 18:15 / Small Hall
Inspired by ancient myths and folk tales, Tamara Kotevska’s film is a moving documentary fairy tale about a farmer and his unique bond with a white stork.
Two Prosecutors Dva prokurora
Sergej Loznica
Monday, 13. 04. 2026 / 20:30 / Main Hall
This film by Ukrainian director Sergei Loznitsa (A Gentle Creature, Donbass) is a Kafkaesque exploration of a totalitarian regime. It is suffused with an overwhelming sense of inevitability and laced with the director’s signature grotesque humour.