“Fiume o morte! is a film on poetry, dynamite, cocaine, machine guns, football, airplanes, furniture flying out of windows, concerts, prisons, sunbathing, thousands of soldiers, millions of bullets, endless speeches, a platypus and on the power of political performativity. D’Annunzio might as well be considered its trailblazer heralding some of the biggest masters of ghastly political showmanship of our age.” (Igor Bezinović)
Fiume o morte! Fiume o morte!
On 12 September 1919, a troop of some three hundred soldiers under the leadership of the flamboyant war-loving Italian poet Gabriele D’Annunzio swooped into the Northern-Adriatic port town of Fiume, now Rijeka, wanting to annex the city to Italy. Over the course of the next 16 months, during what is regarded as one of the most bizarre militant sieges of all time his official photography team captured over 10,000 images. A century later, Igor Bezinović orchestrates a direct-action history lesson focused on the siege and its modern-day implications.
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What's On
Kontinental '25 Kontinental '25
Radu Jude
Tuesday, 02. 06. 2026 / 18:40 / Main Hall
Radu Jude, the ever-lucid provocateur behind Do Not Expect Too Much from the End of the World, returns with yet another razor-sharp satire on the perversities of neoliberalism. The film won the Silver Bear for Best Screenplay at the Berlinale.
Kinodvorišče
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Nouvelle Vague Nouvelle Vague
Richard Linklater
Tuesday, 02. 06. 2026 / 21:30 / Kinodvorišče
Shot in the style of its subject, i.e. in black and white and with little-known actors, Nouvelle Vague looks at the making of Jean-Luc Godard’s iconic debut film, Breathless.
Whispers in the Woods Le chant des forêts
Vincent Munier
Wednesday, 03. 06. 2026 / 13:00 / Main Hall
Following his film The Velvet Queen, in which he searched the Tibetan highlands for the elusive big cat, nature photographer Vincent Munier now invites us on an intimate journey to his native Vosges Mountains. Together with him, we will immerse ourselves in the sounds, textures, and scents of ancient forests. The film won the César Award for Best Documentary.