directed by Grega Mastnak, screenplay Peter Povh, Grega Mastnak, animation Grega Mastnak, Anka Kočevar, Timon Leder, Gašper Rus, Vanja Erjavec, Lea Vučko , music, sound Vojko Sfiligoj, voices Violeta Tomič, Uroš Vuk, Vojko Sfiligoj, edited by Grega Mastnak , technical support Jan Simončič, producers Grega Mastnak, Mojca Zlokarnik, production company OZOR, zavod za gibljive slike , co-produced by Radiotelevizija Slovenija
Official websitePrince Ki-Ki-Do is known for his mild temper. He lives a perfectly normal life of a super hero. In a place with a superb view. His faithful friends and steady companions Tine and Bine are his only regular assistants. Delicious green tea appears to be his sole weakness. Whenever the circumstances allow, he dedicates himself to his tea and a newspaper ... Nevertheless, his senses always stay alert.
Programme of six animated shorts, no dialogue.
Urška Djukić
Wednesday, 18. 03. 2026 / 10:00 / Main Hall
Urška Djukić’s (Granny’s Sexual Life) debut feature explores the power of girls’ voices to overturn traditional ideas and patriarchal patterns through the eyes of a shy and sensitive 16-year-old girl, Lucija. The opening film of the Perspectives Competition and winner of the FIPRESCI Award for Best First Film at this year’s Berlinale.
Alex Ross Perry
Wednesday, 18. 03. 2026 / 17:00 / Main Hall
Socio-cultural hub, consumer mecca, and source of existential dread; the video rental store forever changed the way we interact with movies. With narration by Maya Hawke over footage culled from hundreds of sources, Perry’s Videoheaven tells the story of an industry’s seismic impact on American movie culture.
Igor Bezinović
Wednesday, 18. 03. 2026 / 19:15 / Small Hall
On 12 September 1919, a troop of some three hundred soldiers under the leadership of the flamboyant war-loving Italian poet Gabriele D’Annunzio swooped into the Northern-Adriatic port town of Fiume, now Rijeka, wanting to annex the city to Italy. Over the course of the next 16 months, during what is regarded as one of the most bizarre militant sieges of all time his official photography team captured over 10,000 images. A century later, Igor Bezinović orchestrates a direct-action history lesson focused on the siege and its modern-day implications.