“When the Russian full-scale invasion started, I was in Ukraine. At night after my work as a local producer with Al Jazeera English, I developed a habit of listening to the 'intercepts': intercepted phone calls of the Russian soldiers in Ukraine calling their families back home that were obtained and publicly released by the Ukraine’s security services. The discrepancy between the brutal reality that I was living during the day and the things I was hearing at night was shocking. In the intercepts, the Russians sounded human. That was the most painful thing to accept: Why do humans do such inhumane things?” (Oksana Karpovič)
Intercepted Intercepted
Ukrainian intelligence services have intercepted thousands of phone calls Russian soldiers made from the battlefield in Ukraine to their families and friends in Russia, painting a stark picture of the cruelty of war in a dizzying emotional tension. Juxtaposed with images of the destruction caused by the invasion, the voices of the Russian soldiers – ranging from being filled with heroic illusions to complete disappointment and loss of reason, from looting to committing more horrible war crimes, from propaganda to doubt and disillusionment – expose the whole scope of the dehumanizing power.
What's On
Werner Herzog’s Shorts II. Werner Herzog kratki II.
Werner Herzog
Friday, 21. 08. 2026 / 18:00 / Main Hall
How Much Wood Would a Woodchuck Chuck, 1976; La Soufrière – Waiting for an Inevitable Catastrophe, 1977; Werner Herzog Eats His Shoe, 1980
Bitter Christmas Amarga Navidad
Pedro Almodóvar
Friday, 21. 08. 2026 / 20:30 / Main Hall
Bitter Christmas tells two alternating stories. One takes place in 2004 and stars an advertising director Elsa during a long weekend in December. The other, set in the present, features Raúl, a cult director working on a new script. Soon we discover Raúl is writing about Elsa, her boyfriend Bonifacio, and her friends Patricia and Natalia… Almodóvar’s—always stylish—latest comes straight from Cannes!
Third World Treći svijet
Arsen Oremović
Friday, 21. 08. 2026 / 21:00 / Small Hall
Third World is more than just a documentary about Haustor, the legendary Zagreb band that left its mark on the former Yugoslavia’s music scene. It is the story of two creative opposites: Darko Rundek and Srđan Sacher. Through candid conversations, a studio reunion, and a wealth of archival material, the film reveals how the two artists’ sensitivity to the magic of everyday life once united their creative worlds – creating a third.