Elise wakes up one morning with a strange feeling... there is something special about this day, but she can’t quite put her finger on it. Unsuccessfully, she tries to explain to her family and friends that this day is different from any other day. So Elise sets out on an incredible journey on her own and through new and unexpected friendships, she rediscovers the joy of Christmas. Now it’s up to her to make sure her whole village experiences a Christmas they will never forget. But the clock is ticking - will she make it before it’s too late?
»When diving into the universe of Forgotten Christmas, it was important to take the Alf Prøysen and the Norwegian fairytale heritage seriously by not trying to modernize the storyand the universe too much. The effort was to continue the successful essence from the firstfilm, Santa Swap. It became important to adopt the same warmth, humor and the joy of Christmas traditions from the first film further into the second film. /.../ In other words, what we see within the frame should come across as real and authentic, things you can touch and feel. Not glossy imagery filled with bright colors and perfection, but warm and cozy imagery with a hint of quirkiness. A traditional fairytale with a dash of magic feel. /.../ Teaching empathy to our children is important. So as a director I feel responsible to createcharacters with diverse features who portrays a variation of feelings. To communicate thecharacter’s feelings to the children watching the film, rather than telling them explicitly whatto feel, is essential in this story and to me as a director.«
- Andrea Eckerbom, the director
Forgotten Christmas Snekker Andersen og Julenissen: Den vesle bygda som glømte at det var jul
What's On
Hamnet Hamnet
Chloé Zhao
Friday, 13. 02. 2026 / 15:10 / Main Hall
Chloé Zhao (Nomadland) imagines how a tragedy from Shakespeare’s real life might have inspired the creation of his timeless masterpiece Hamlet. Starring the exceptional Jessie Buckley and Paul Mescal, the film is a moving story about love, loss, and the healing power of art.
Venom Gift
Knud Leif Thomsen
Friday, 13. 02. 2026 / 17:45 / Main Hall
Thomsen’s Danish-style Teorema (1968) predating Pasolini’s is as double-edged as its title (gift meaning both “poison” and “married”). The director conceived it as a polemical tract against pornography and the moral decay of Danish society. But by filling it with nudity and hardcore snippets, he ironically paved the way for a censorship-free Denmark, which in 1969 became the first country to legalize pornography. The censors covered the explicit scenes with thick white crosses (making them somehow even more obscene). And it is precisely on such a historical 35mm print that we will have the pleasure to see the film!