Special Opening Screening of the Animateka 2019 Special Opening Screening of the Animateka 2019

various / 27 min

Reruns
Rosto (Studio Rosto Ad/Autour De Minuit/A Private View)
The Netherlands, France, Belgium, 2018, 14'15"

Everything’s different but nothing has changed. A trip through a sunken maze of memories and dreams.

No Place Like Home
Rosto (Valk Producties/Studio Rosto A.D.)
Netherlands, 2008, 6'10''

A one-eyed has-been TV presenter hides away in a hotel room with his dead sidekick to watch reruns from their better days.

Silmadeta jahimees. Handi lugu / The Eyeless Hunter. A Khanty Story
Priit Pärn, Olga Pärn (Eesti Rahva Muuseum, Eesti Joonisfilm)
Estonia, 2016, 3'48"

After a Khanty man returns from hunting without bringing back any food, his wife secretly follows him into the forest. She then takes his sight and the rest of the story unfolds.

Athleticus: Gardien de gymnase / Athleticus: Gym Keeper
Nicolas Deveaux (Cube Creative Productions)
France, 2019, 2'

An elephant is tidying up an empty gym. He secretly dreams of being a basketball champion.

What's On

Romeria Romería

Carla Simón

Tuesday, 04. 11. 2025 / 17:30 / Main Hall

Catalan director Carla Simón (Alcarràs) once again digs into her family history to craft a story of her parents from a mix of real and imagined memories.

Fiume o morte! Fiume o morte!

Igor Bezinović

Tuesday, 04. 11. 2025 / 18:45 / Small Hall

On 12 September 1919, a troop of some three hundred soldiers under the leadership of the flamboyant war-loving Italian poet Gabriele D’Annunzio swooped into the Northern-Adriatic port town of Fiume, now Rijeka, wanting to annex the city to Italy. Over the course of the next 16 months, during what is regarded as one of the most bizarre militant sieges of all time his official photography team captured over 10,000 images. A century later, Igor Bezinović orchestrates a direct-action history lesson focused on the siege and its modern-day implications.

Mirrors No. 3 Miroirs No. 3

Christian Petzold

Tuesday, 04. 11. 2025 / 20:00 / Main Hall

Christian Petzold once again explores themes of loss, memory, and identity – this time in a mysterious family psychodrama, a modern fairy tale for adults, in which two women try to piece together the fragments of their broken lives.