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    • Animateka 2019

    Special Opening Screening of the Animateka 2019 Special Opening Screening of the Animateka 2019

    various / 27 min

    Reruns
    Rosto (Studio Rosto Ad/Autour De Minuit/A Private View)
    The Netherlands, France, Belgium, 2018, 14'15"

    Everything’s different but nothing has changed. A trip through a sunken maze of memories and dreams.

    No Place Like Home
    Rosto (Valk Producties/Studio Rosto A.D.)
    Netherlands, 2008, 6'10''

    A one-eyed has-been TV presenter hides away in a hotel room with his dead sidekick to watch reruns from their better days.

    Silmadeta jahimees. Handi lugu / The Eyeless Hunter. A Khanty Story
    Priit Pärn, Olga Pärn (Eesti Rahva Muuseum, Eesti Joonisfilm)
    Estonia, 2016, 3'48"

    After a Khanty man returns from hunting without bringing back any food, his wife secretly follows him into the forest. She then takes his sight and the rest of the story unfolds.

    Athleticus: Gardien de gymnase / Athleticus: Gym Keeper
    Nicolas Deveaux (Cube Creative Productions)
    France, 2019, 2'

    An elephant is tidying up an empty gym. He secretly dreams of being a basketball champion.

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    Father Mother Sister Brother Father Mother Sister Brother

    Jim Jarmusch

    Saturday, 31. 01. 2026 / 13:40 / Main Hall

    Three stories, sometimes funny, sometimes sad, about the relationship between parents and their adult children. Jim Jarmusch’s “anti-action film” received the Golden Lion in Venice.
    Kinobalon

    Hola Frida Hola Frida

    André Kadi, Karine Vézina

    Saturday, 31. 01. 2026 / 16:00 / Main Hall

    This playful and colourful film takes us into the world of the girl who would one day become the famous painter Frida Kahlo. Curious, imaginative and full of life, Frida turns every trial into an adventure. 
    Sold Out

    Fiume o morte! Fiume o morte!

    Igor Bezinović

    Saturday, 31. 01. 2026 / 17:00 / Small Hall

    On 12 September 1919, a troop of some three hundred soldiers under the leadership of the flamboyant war-loving Italian poet Gabriele D’Annunzio swooped into the Northern-Adriatic port town of Fiume, now Rijeka, wanting to annex the city to Italy. Over the course of the next 16 months, during what is regarded as one of the most bizarre militant sieges of all time his official photography team captured over 10,000 images. A century later, Igor Bezinović orchestrates a direct-action history lesson focused on the siege and its modern-day implications.