Twelve-year-old Sofia has longed for the summer holidays so she can hang out with her friends at home in Serbia. Unfortunately, however, she must spend the summer on the Croatian island of Hvar with her eccentric and embarrassing grandmother. Sofia is bored and her grandmother treats her like a child. When she meets her cousin, everything completely changes. She learns about some family secrets that explain things a fair bit.
How I Learned to Fly Leto kada sam naučila da letim
If you are looking forward to the summer holidays, consider yourself lucky you don’t have to spend it in the company of an embarrassing, eccentric grandmother, like 12 year old Sofia in How I Learned to Fly, winner of the ECFA Award in the BUFF festival.
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Late Shift Heldin
Petra Volpe
Monday, 16. 03. 2026 / 14:50 / Main Hall
Shot with the pacing and tension of a thriller, Late Shift follows a single night in the working life of a nurse in an overcrowded Swiss hospital. Both gripping and compassionate, the film is a tribute to the extraordinary people who stand by us in the most vulnerable moments of our lives.
Peacemaker Mirotvorac
Ivan Ramljak
Monday, 16. 03. 2026 / 17:00 / Main Hall
In 1991, on the outskirts of Tenja, Josip Reihl Kir – the chief of the Osijek Police Department, a man dedicated to negotiations and avoiding war – was assassinated. Peacemaker is a story about the last few months of his life, in the dawn of the bloodthirsty Croatian-Serbian war, which Kir had been trying hard to prevent, told through the statements of a few witnesses and archive materials from the era. Many elements of that assassination still remain unclear.
Fiume o morte! Fiume o morte!
Igor Bezinović
Monday, 16. 03. 2026 / 19:00 / Small Hall
On 12 September 1919, a troop of some three hundred soldiers under the leadership of the flamboyant war-loving Italian poet Gabriele D’Annunzio swooped into the Northern-Adriatic port town of Fiume, now Rijeka, wanting to annex the city to Italy. Over the course of the next 16 months, during what is regarded as one of the most bizarre militant sieges of all time his official photography team captured over 10,000 images. A century later, Igor Bezinović orchestrates a direct-action history lesson focused on the siege and its modern-day implications.