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Andrzej Wajda / Poland / 2016 / 98 min / Polish

Polish with Slovene subtitles

The story of avant-garde artist Władysława Strzemińskega who in post-war Poland refused to compromise his art in the face of pressures from the communist regime, and rejected its demand that artists create in the language of socialist realism.

The last film from the late Polish master of cinematography Andrzej Wajda is a many faceted intellectual agitprop about the role of art and the meaning of the freedom of expression. A film about a charismatic, rebellious man destroyed by a totalitarian regime. Polish candidate for Best Foreign Language film at the 2016 Academy Awards.

 

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What's On

Kinobalon / Premiere

Pixie: The New Beginning Skrzat. Nowy początek

Krzysztof Komander

Saturday, 17. 01. 2026 / 16:00 / Main Hall

New in town, 11-year-old Hania is bullied for believing in pixies. She becomes friends with an outsider Michał and a real pixie, Sindri, on a quest to prove their existence. Their journey helps Hania face new beginnings and understand the power of friendship.

The Voice of Hind Rajab Sawt Hind Rajab

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Saturday, 17. 01. 2026 / 18:30 / Main Hall

A harrowing reconstruction of the attempted rescue of a Palestinian girl, intertwining real emergency call recordings with dramatised scenes in a call centre. Winner of the Grand Jury Prize in Venice and nominated for a Golden Globe for Best Non-English Language Film.

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Fiume o morte! Fiume o morte!

Igor Bezinović

Saturday, 17. 01. 2026 / 19:30 / Small Hall

On 12 September 1919, a troop of some three hundred soldiers under the leadership of the flamboyant war-loving Italian poet Gabriele D’Annunzio swooped into the Northern-Adriatic port town of Fiume, now Rijeka, wanting to annex the city to Italy. Over the course of the next 16 months, during what is regarded as one of the most bizarre militant sieges of all time his official photography team captured over 10,000 images. A century later, Igor Bezinović orchestrates a direct-action history lesson focused on the siege and its modern-day implications.