Wim Wenders’ 1984 Cannes winner is marked by outstanding performances by Harry Dean Stanton and Nastassja Kinski, an unforgettable soundtrack by Ry Cooder, a masterful screenplay by Sam Shepard and the iconic cinematography by Robby Müller. The new 4K restoration makes it shine more than ever.
Paris, Texas Paris, Texas
Out of nowhere, a gaunt man in a dark suit and a red baseball cap appears in the burning heat of the desert between the US and Mexico. He drinks the last sip from his water bottle, then he moves on, doggedly, into the inhospitable area that the locals call “The Devil’s Playground”. Travis might seem to be mute and amnesiac, but he’s driven by the desire to reconnect with his family.
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Late Shift Heldin
Petra Volpe
Wednesday, 04. 03. 2026 / 13:00 / Main Hall
Shot with the pacing and tension of a thriller, Late Shift follows a single night in the working life of a nurse in an overcrowded Swiss hospital. Both gripping and compassionate, the film is a tribute to the extraordinary people who stand by us in the most vulnerable moments of our lives.
Father Mother Sister Brother Father Mother Sister Brother
Jim Jarmusch
Wednesday, 04. 03. 2026 / 15:00 / Main Hall
Three stories, sometimes funny, sometimes sad, about the relationship between parents and their adult children. Jim Jarmusch’s “anti-action film” received the Golden Lion in Venice.
Fiume o morte! Fiume o morte!
Igor Bezinović
Wednesday, 04. 03. 2026 / 16:30 / Small Hall
On 12 September 1919, a troop of some three hundred soldiers under the leadership of the flamboyant war-loving Italian poet Gabriele D’Annunzio swooped into the Northern-Adriatic port town of Fiume, now Rijeka, wanting to annex the city to Italy. Over the course of the next 16 months, during what is regarded as one of the most bizarre militant sieges of all time his official photography team captured over 10,000 images. A century later, Igor Bezinović orchestrates a direct-action history lesson focused on the siege and its modern-day implications.