Wim Wenders’ 1984 Cannes winner is marked by outstanding performances by Harry Dean Stanton and Nastassja Kinski, an unforgettable soundtrack by Ry Cooder, a masterful screenplay by Sam Shepard and the iconic cinematography by Robby Müller. The new 4K restoration makes it shine more than ever.
Paris, Texas Paris, Texas
Out of nowhere, a gaunt man in a dark suit and a red baseball cap appears in the burning heat of the desert between the US and Mexico. He drinks the last sip from his water bottle, then he moves on, doggedly, into the inhospitable area that the locals call “The Devil’s Playground”. Travis might seem to be mute and amnesiac, but he’s driven by the desire to reconnect with his family.
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Mondays
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Two by Amir Naderi
Cut Cut
Amir Naderi
Monday, 13. 04. 2026 / 17:45 / Main Hall
Shuji is a young filmmaker and devoted cinephile. He organises impromptu screenings of classic films on the roof of his apartment block and protests against multiplexes and the industry that is destroying the art of film on the streets of Tokyo. One day, he learns that his brother, who had helped finance his films, has been beaten to death by the Yakuza over unpaid debts. Shuji resolves to repay the debt by working as a human punching bag in the bathroom of the club where his brother was killed.
The Tale of Silyan Prikaznata za Siljan
Tamara Kotevska
Monday, 13. 04. 2026 / 18:15 / Small Hall
Inspired by ancient myths and folk tales, Tamara Kotevska’s film is a moving documentary fairy tale about a farmer and his unique bond with a white stork.
Two Prosecutors Dva prokurora
Sergej Loznica
Monday, 13. 04. 2026 / 20:30 / Main Hall
This film by Ukrainian director Sergei Loznitsa (A Gentle Creature, Donbass) is a Kafkaesque exploration of a totalitarian regime. It is suffused with an overwhelming sense of inevitability and laced with the director’s signature grotesque humour.