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Paradžanov 100! Paradžanov 100!

Sergej Paradžanov / Soviet Union (Ukraine), Soviet Union (Georgia), Soviet Union (Armenia) / 46 min

Short films by Sergej Paradžanov.

Kiev Frescoes
Kiivs’ki freski, Soviet Union (Ukraine), 1966, 15'

A film collage composed of preserved fragments from a planned but banned feature film about the aftermath of World War II.

Hakob Hovnatanyan, Soviet Union (Armenia), 1967, 10'

With playful associative editing, Paradjanov weaves the details of portraits by Armenian painter Hakob Hovnatanyan (1806–1881) with the visual and soundscape of 19th-century Tbilisi.

Arabesques on the Pirosmani Theme
Arabeskebi Pirosmanis temaze, Soviet Union (Georgia), 1985, 21'

Paradjanov pays homage to the famous self-taught Georgian painter Niko Pirosmani (1862–1918), creating a phantasmagorical film essay through footage of the artist's visual worlds.

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What's On

The Oslo Trilogy / Last Screening

Love Kjærlighet

Dag Johan Haugerud

Wednesday, 15. 10. 2025 / 16:00 / Main Hall

Sex, Love, and Dreams–not necessarily in that order–are the chapters in the trilogy exploring contemporary relationships, set in modern-day Oslo. In Love, the director invites us to reflect on our desires and expectations regarding sexuality, relationships, and intimacy. 

Sold Out

Fiume o morte! Fiume o morte!

Igor Bezinović

Wednesday, 15. 10. 2025 / 17:00 / Small Hall

On 12 September 1919, a troop of some three hundred soldiers under the leadership of the flamboyant war-loving Italian poet Gabriele D’Annunzio swooped into the Northern-Adriatic port town of Fiume, now Rijeka, wanting to annex the city to Italy. Over the course of the next 16 months, during what is regarded as one of the most bizarre militant sieges of all time his official photography team captured over 10,000 images. A century later, Igor Bezinović orchestrates a direct-action history lesson focused on the siege and its modern-day implications.

Mirrors No. 3 Miroirs No. 3

Christian Petzold

Wednesday, 15. 10. 2025 / 18:30 / Main Hall

Christian Petzold once again explores themes of loss, memory, and identity – this time in a mysterious family psychodrama, a modern fairy tale for adults, in which two women try to piece together the fragments of their broken lives.