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Paradžanov 100! Paradžanov 100!

Sergej Paradžanov / Soviet Union (Ukraine), Soviet Union (Georgia), Soviet Union (Armenia) / 46 min

Short films by Sergej Paradžanov.

Kiev Frescoes
Kiivs’ki freski, Soviet Union (Ukraine), 1966, 15'

A film collage composed of preserved fragments from a planned but banned feature film about the aftermath of World War II.

Hakob Hovnatanyan, Soviet Union (Armenia), 1967, 10'

With playful associative editing, Paradjanov weaves the details of portraits by Armenian painter Hakob Hovnatanyan (1806–1881) with the visual and soundscape of 19th-century Tbilisi.

Arabesques on the Pirosmani Theme
Arabeskebi Pirosmanis temaze, Soviet Union (Georgia), 1985, 21'

Paradjanov pays homage to the famous self-taught Georgian painter Niko Pirosmani (1862–1918), creating a phantasmagorical film essay through footage of the artist's visual worlds.

What's On

Sentimental Value Affeksjonsverdi

Joachim Trier

Thursday, 22. 01. 2026 / 16:45 / Main Hall

After the success of The Worst Person in the World, Joachim Trier returns with an intimate and deeply moving story about family, memory, and the unifying power of art. Winner of the Grand Jury Prize in Cannes and nominated for eight Golden Globes.

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Fiume o morte! Fiume o morte!

Igor Bezinović

Thursday, 22. 01. 2026 / 18:00 / Small Hall

On 12 September 1919, a troop of some three hundred soldiers under the leadership of the flamboyant war-loving Italian poet Gabriele D’Annunzio swooped into the Northern-Adriatic port town of Fiume, now Rijeka, wanting to annex the city to Italy. Over the course of the next 16 months, during what is regarded as one of the most bizarre militant sieges of all time his official photography team captured over 10,000 images. A century later, Igor Bezinović orchestrates a direct-action history lesson focused on the siege and its modern-day implications.

New on the programme

No Other Choice Eojjeol suga eopda

Park Chan-wook

Thursday, 22. 01. 2026 / 19:30 / Main Hall

A highly entertaining and very timely satire filled with dark humour, vivid characters, and dizzying twists, following a family man who devises his own peculiar way of dealing with unemployment. Prepared over twenty years by Korean master Park Chan-wook (Oldboy, The Handmaiden), the film is among the leading contenders for an Academy Award nomination for Best International Feature Film.