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Paradžanov 100! Paradžanov 100!

Sergej Paradžanov / Soviet Union (Ukraine), Soviet Union (Georgia), Soviet Union (Armenia) / 46 min

Short films by Sergej Paradžanov.

Kiev Frescoes
Kiivs’ki freski, Soviet Union (Ukraine), 1966, 15'

A film collage composed of preserved fragments from a planned but banned feature film about the aftermath of World War II.

Hakob Hovnatanyan, Soviet Union (Armenia), 1967, 10'

With playful associative editing, Paradjanov weaves the details of portraits by Armenian painter Hakob Hovnatanyan (1806–1881) with the visual and soundscape of 19th-century Tbilisi.

Arabesques on the Pirosmani Theme
Arabeskebi Pirosmanis temaze, Soviet Union (Georgia), 1985, 21'

Paradjanov pays homage to the famous self-taught Georgian painter Niko Pirosmani (1862–1918), creating a phantasmagorical film essay through footage of the artist's visual worlds.

What's On

Madly Follemente

Paolo Genovese

Thursday, 25. 12. 2025 / 16:30 / Main Hall

Father Mother Sister Brother Father Mother Sister Brother

Jim Jarmusch

Thursday, 25. 12. 2025 / 18:40 / Main Hall

Three stories, sometimes funny, sometimes sad, about the relationship between parents and their adult children. Jim Jarmusch’s “anti-action film” received the Golden Lion in Venice.

Fiume o morte! Fiume o morte!

Igor Bezinović

Thursday, 25. 12. 2025 / 19:30 / Small Hall

On 12 September 1919, a troop of some three hundred soldiers under the leadership of the flamboyant war-loving Italian poet Gabriele D’Annunzio swooped into the Northern-Adriatic port town of Fiume, now Rijeka, wanting to annex the city to Italy. Over the course of the next 16 months, during what is regarded as one of the most bizarre militant sieges of all time his official photography team captured over 10,000 images. A century later, Igor Bezinović orchestrates a direct-action history lesson focused on the siege and its modern-day implications.