The Box Office is open from 09:00 till 20:30 (open for another 05:33, phone: +386 1 239 22 17).

Eight Postcards From Utopia Opt ilustrate din lumea ideala

Radu Jude / Romania / 2024 / 71 min / Romanian

A found-footage documentary assembled exclusively out of post-socialist Romanian advertisements. Drawing from the debris of Romania’s long transition period, the film speaks about love and death, the human body and its frailty, the natural and the supernatural and of course, socialism and capitalism. 

“This film is assembled exclusively out of Romanian advertisements produced during the post-socialist transition period. Having served a country newly emerged out of an economy of shortage as introduction to contemporary commodity culture, these ads all seem to communicate with one another despite their striking differences in style and product: they all depict a coherent fantasy world of fulfilled desires. Exploring the various facets of this utopian dream world with the toolkit of montage, the film turns the fictional and often ludicrous medium of advertising clips into a magnifying glass for the society’s desires, beliefs, hopes and fears.” (Radu Jude)

Kinodvor. Newsletter.

Join our mailing list and receive details of upcoming films and events!

What's On

Hola Frida Hola Frida

André Kadi, Karine Vézina

Saturday, 10. 01. 2026 / 16:15 / Main Hall

This playful and colourful film takes us into the world of the girl who would one day become the famous painter Frida Kahlo. Curious, imaginative and full of life, Frida turns every trial into an adventure. 

Father Mother Sister Brother Father Mother Sister Brother

Jim Jarmusch

Saturday, 10. 01. 2026 / 18:10 / Main Hall

Three stories, sometimes funny, sometimes sad, about the relationship between parents and their adult children. Jim Jarmusch’s “anti-action film” received the Golden Lion in Venice.

Sold Out

Fiume o morte! Fiume o morte!

Igor Bezinović

Saturday, 10. 01. 2026 / 19:30 / Small Hall

On 12 September 1919, a troop of some three hundred soldiers under the leadership of the flamboyant war-loving Italian poet Gabriele D’Annunzio swooped into the Northern-Adriatic port town of Fiume, now Rijeka, wanting to annex the city to Italy. Over the course of the next 16 months, during what is regarded as one of the most bizarre militant sieges of all time his official photography team captured over 10,000 images. A century later, Igor Bezinović orchestrates a direct-action history lesson focused on the siege and its modern-day implications.