»Luzar sets what is primarily a Slovenian milieu study in Austria, located somewhere between the black and white of Miloš Forman's Firemen's Ball and the bitter humour of Ulrich Seidl.«
- Film Festival Cottbus.
Orchestra Orkester
The merry members of a brass band from Slovenia travel by bus to perform in a small Austrian town. They sing, cheer and drink all the way there. Being part of a brass band is a joyful hobby for most members. However, not everything goes as planned… Five distinct stories tell us that hiding one’s actions and intentions is the best way to make them shameful.
cast Gregor Zorc, Gregor Čušin, Jernej Kogovšek, Lovro Lezič, Gaber K. Trseglav
What's On
New Classmates Novi sošolci
Toni Cahunek
Wednesday, 05. 11. 2025 / 17:00 / Small Hall
Slovenia’s economy relies on workers from Kosovo. But how does society accept their children? The documentary New Classmates explores the background of Kosovar immigration and the challenges their children face integrating into a new country. It highlights the stories of four children of immigrant families and their parents, who face various obstacles due to their ethnic background and limited knowledge of the Slovenian language.
Sorry, Baby Sorry, Baby
Eva Victor
Wednesday, 05. 11. 2025 / 17:45 / Main Hall
An honest, warm, and surprisingly funny film about how to live with something you can never truly get over. A Sundance Festival sensation, winner of the Best Screenplay award there, and considered one of the best films of the year by numerous critics.
Sold Out
Fiume o morte! Fiume o morte!
Igor Bezinović
Wednesday, 05. 11. 2025 / 19:00 / Small Hall
On 12 September 1919, a troop of some three hundred soldiers under the leadership of the flamboyant war-loving Italian poet Gabriele D’Annunzio swooped into the Northern-Adriatic port town of Fiume, now Rijeka, wanting to annex the city to Italy. Over the course of the next 16 months, during what is regarded as one of the most bizarre militant sieges of all time his official photography team captured over 10,000 images. A century later, Igor Bezinović orchestrates a direct-action history lesson focused on the siege and its modern-day implications.