After the untimely death of his daughter, Paul Raymond reflects on his life. Raymond grew to have a fabulously successful career as an erotica magnate that would make him the richest man in Britain. However, for all his material success, Paul's appetites mess up his personal life, such as alienating his wife with his philandering. Furthermore, even as he challenged his society's sexual mores, Paul's relationship with his daughter proves troublingly problematic as she came of age. Paul gradually comes to realize that his proclivities have impoverished him in ways that mere money cannot address.
What's On
Father Mother Sister Brother Father Mother Sister Brother
Jim Jarmusch
Monday, 23. 03. 2026 / 16:10 / Main Hall
Three stories, sometimes funny, sometimes sad, about the relationship between parents and their adult children. Jim Jarmusch’s “anti-action film” received the Golden Lion in Venice.
Fiume o morte! Fiume o morte!
Igor Bezinović
Monday, 23. 03. 2026 / 17:00 / Small Hall
On 12 September 1919, a troop of some three hundred soldiers under the leadership of the flamboyant war-loving Italian poet Gabriele D’Annunzio swooped into the Northern-Adriatic port town of Fiume, now Rijeka, wanting to annex the city to Italy. Over the course of the next 16 months, during what is regarded as one of the most bizarre militant sieges of all time his official photography team captured over 10,000 images. A century later, Igor Bezinović orchestrates a direct-action history lesson focused on the siege and its modern-day implications.
My Armenian Phantoms Mes fantômes arméniens
Tamara Stepanyan
Monday, 23. 03. 2026 / 18:30 / Main Hall
An intimate cinematic journey through the history of Armenian film, organically linked to a political, social and cultural world that no longer exists: the Soviet Empire.