The Box Office is open from 14:30 till 20:20 (will open in 04:37).

Screenings

Wednesday, 28. 01. 2026 / 20:00 / Main Hall

Premiere

Followed by a Q/A session with the film crew.

Asset 1
Friday, 30. 01. 2026 / 19:15 / Main Hall
Saturday, 31. 01. 2026 / 20:45 / Main Hall
Wednesday, 04. 02. 2026 / 17:40 / Main Hall
From 28 January 2026

Ungrateful Beings Nevděčné bytosti

Olmo Omerzu / Czech Republic, Slovakia, Slovenia, Poland, France, Croatia / 2025 / 110 min / Czech, English

Screenings

Wednesday, 28. 01. 2026 / 20:00 / Main Hall

Premiere

Followed by a Q/A session with the film crew.

Asset 1
Friday, 30. 01. 2026 / 19:15 / Main Hall
Saturday, 31. 01. 2026 / 20:45 / Main Hall
Wednesday, 04. 02. 2026 / 17:40 / Main Hall
Slovenian director Olmo Omerzu (Family Film), based in the Czech Republic, returns with an original drama about a family in crisis, infused with subtle humour and unexpected narrative turns. The film had its world premiere in the main competition at the San Sebastián Film Festival.

cast Barry Ward, Dexter Franc, Timon Šturbej, Barbora Bobulová, Antonín Chmela

IMDb

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What's On

Sentimental Value Affeksjonsverdi

Joachim Trier

Monday, 26. 01. 2026 / 15:30 / Main Hall

After the success of The Worst Person in the World, Joachim Trier returns with an intimate and deeply moving story about family, memory, and the unifying power of art. Winner of the Grand Jury Prize in Cannes and nominated for eight Golden Globes.

Sold Out

Fiume o morte! Fiume o morte!

Igor Bezinović

Monday, 26. 01. 2026 / 16:45 / Small Hall

On 12 September 1919, a troop of some three hundred soldiers under the leadership of the flamboyant war-loving Italian poet Gabriele D’Annunzio swooped into the Northern-Adriatic port town of Fiume, now Rijeka, wanting to annex the city to Italy. Over the course of the next 16 months, during what is regarded as one of the most bizarre militant sieges of all time his official photography team captured over 10,000 images. A century later, Igor Bezinović orchestrates a direct-action history lesson focused on the siege and its modern-day implications.

The Devil, Probably Le diable probablement

Robert Bresson

Monday, 26. 01. 2026 / 18:15 / Main Hall

“My illness is that I see things too clearly.” Robert Bresson’s The Devil, Probably caused a storm at the Berlinale in 1977, and in France screenings were banned for viewers under eighteen due to fears it might encourage suicide among young people.