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Slovene Shorts: 14 Edition Naši kratki 14

razno / 2018 / 40 min

Happy? (Petra Trampuž Bocevska), Alone (Gašper Markun), Nedeljsko jutro (Martin Turk), Tunel (Gregor Andolšek). 

Srečna? Happy?
Petra Trampuž Bocevska Slovenija, 2018, 16'

A film about relationships between generations and the influence they have on one another. What is it like to see a grandmother who spends her days observing and judging people and annoying her neighbours, from the perspective of her granddaughters? In the eyes of this younger generation, who will appear the luckier, their tired mother or their happy grandmother?

Sam Alone
Gašper Markun, Slovenija, 2017, 9'

He can play basketball alone. He can drive his car alone. He can live for the moment alone. He lives alone in a world that spins around him. Alone he can abandon himself to the flow of life.

Nedeljsko jutro Sunday Morning
Martin Turk, Slovenija, 2017, 15'

Two boys, their fathers and a dog have an unexpected encounter in the forest which will change them forever. A short film about authority, disappointment and the birth of the rebel.

Tunel The Tunnel
Gregor Andolšek, 2017,
15'

On his way to work, the protagonist avoids driving through a tunnel, making a detour instead. One day, the side road is closed. After somehow managing to get past the roadblock, he soon drives into another, insurmountable obstacle. With an emergency waiting at work, he is forced to drive into the tunnel, the incarnation of his biggest fears.

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What's On

Stars by the Pound 100 kilos d'étoiles

Marie-Sophie Chambon

Monday, 26. 08. 2019 / 10:00 / Main Hall

Extra Week

Once Upon a Time … in Hollywood Once Upon a Time … in Hollywood

Quentin Tarantino

Monday, 26. 08. 2019 / 17:15 / Main Hall

Quentin Tarantino’s latest film is a bow to the final moments of Hollywood’s golden age and the director’s most personal work to date. One of the most highly anticipated films at this year’s Cannes Film Festival.

The White Crow The White Crow

Ralph Fiennes

Monday, 26. 08. 2019 / 20:30 / Main Hall

It is 1961. A young man in a black beret is travelling west, leaving the Soviet Union for the first time. From Rudolf Nureyev’s poverty-stricken childhood and his blossoming as a student dancer in Leningrad, to his arrival in Paris in the early 1960s and a nail-biting stand-off at the Le Bourget airport, The White Crow is the true story of an incredible journey by an artist who transformed the world of ballet forever.