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Slovene Shorts: 14th Edition Naši kratki 14

Slovenia / 2018 / 40 min

Srečna? Happy?
Petra Trampuž Bocevska Slovenija, 2018, 16'

A film about relationships between generations and the influence they have on one another. What is it like to see a grandmother who spends her days observing and judging people and annoying her neighbours, from the perspective of her granddaughters? In the eyes of this younger generation, who will appear the luckier, their tired mother or their happy grandmother?

Sam Alone
Gašper Markun, Slovenija, 2017, 9'

He can play basketball alone. He can drive his car alone. He can live for the moment alone. He lives alone in a world that spins around him. Alone he can abandon himself to the flow of life.

Nedeljsko jutro Sunday Morning
Martin Turk, Slovenija, 2017, 15'

Two boys, their fathers and a dog have an unexpected encounter in the forest which will change them forever. A short film about authority, disappointment and the birth of the rebel.

Tunel The Tunnel
Gregor Andolšek, 2017, 15'

On his way to work, the protagonist avoids driving through a tunnel, making a detour instead. One day, the side road is closed. After somehow managing to get past the roadblock, he soon drives into another, insurmountable obstacle. With an emergency waiting at work, he is forced to drive into the tunnel, the incarnation of his biggest fears.

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What's On

Madly Follemente

Paolo Genovese

Thursday, 25. 12. 2025 / 16:30 / Main Hall

Father Mother Sister Brother Father Mother Sister Brother

Jim Jarmusch

Thursday, 25. 12. 2025 / 18:40 / Main Hall

Three stories, sometimes funny, sometimes sad, about the relationship between parents and their adult children. Jim Jarmusch’s “anti-action film” received the Golden Lion in Venice.

Fiume o morte! Fiume o morte!

Igor Bezinović

Thursday, 25. 12. 2025 / 19:30 / Small Hall

On 12 September 1919, a troop of some three hundred soldiers under the leadership of the flamboyant war-loving Italian poet Gabriele D’Annunzio swooped into the Northern-Adriatic port town of Fiume, now Rijeka, wanting to annex the city to Italy. Over the course of the next 16 months, during what is regarded as one of the most bizarre militant sieges of all time his official photography team captured over 10,000 images. A century later, Igor Bezinović orchestrates a direct-action history lesson focused on the siege and its modern-day implications.