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Slovene Shorts: 14th Edition Naši kratki 14

Slovenia / 2018 / 40 min

Srečna? Happy?
Petra Trampuž Bocevska Slovenija, 2018, 16'

A film about relationships between generations and the influence they have on one another. What is it like to see a grandmother who spends her days observing and judging people and annoying her neighbours, from the perspective of her granddaughters? In the eyes of this younger generation, who will appear the luckier, their tired mother or their happy grandmother?

Sam Alone
Gašper Markun, Slovenija, 2017, 9'

He can play basketball alone. He can drive his car alone. He can live for the moment alone. He lives alone in a world that spins around him. Alone he can abandon himself to the flow of life.

Nedeljsko jutro Sunday Morning
Martin Turk, Slovenija, 2017, 15'

Two boys, their fathers and a dog have an unexpected encounter in the forest which will change them forever. A short film about authority, disappointment and the birth of the rebel.

Tunel The Tunnel
Gregor Andolšek, 2017, 15'

On his way to work, the protagonist avoids driving through a tunnel, making a detour instead. One day, the side road is closed. After somehow managing to get past the roadblock, he soon drives into another, insurmountable obstacle. With an emergency waiting at work, he is forced to drive into the tunnel, the incarnation of his biggest fears.

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What's On

Sentimental Value Affeksjonsverdi

Joachim Trier

Monday, 26. 01. 2026 / 15:30 / Main Hall

After the success of The Worst Person in the World, Joachim Trier returns with an intimate and deeply moving story about family, memory, and the unifying power of art. Winner of the Grand Jury Prize in Cannes and nominated for eight Golden Globes.

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Fiume o morte! Fiume o morte!

Igor Bezinović

Monday, 26. 01. 2026 / 16:45 / Small Hall

On 12 September 1919, a troop of some three hundred soldiers under the leadership of the flamboyant war-loving Italian poet Gabriele D’Annunzio swooped into the Northern-Adriatic port town of Fiume, now Rijeka, wanting to annex the city to Italy. Over the course of the next 16 months, during what is regarded as one of the most bizarre militant sieges of all time his official photography team captured over 10,000 images. A century later, Igor Bezinović orchestrates a direct-action history lesson focused on the siege and its modern-day implications.

The Devil, Probably Le diable probablement

Robert Bresson

Monday, 26. 01. 2026 / 18:15 / Main Hall

“My illness is that I see things too clearly.” Robert Bresson’s The Devil, Probably caused a storm at the Berlinale in 1977, and in France screenings were banned for viewers under eighteen due to fears it might encourage suicide among young people.