At only 11 years, Jim is a gifted boy passionate about space and science. Arriving in a new town with his dad, Jim has to participate in a science competition with his new classmate Emma, a sensitive and discreet girl. Despite her reluctance, Jim convinces her to imitate Kittinger’s ‘Excelsior’ project (first man to reach the frontier of space in 1960) and to secretly build a real air balloon. This calling comes from his father, Graham, an astrophysicist who was supposed to carry out a space mission, but had to abandon the project due to the passing of Jim’s mother. The space mission has become very important to Jim since his mother’s death. But when he discovers that Graham has given up without telling him, his world falls apart. The competition turns into an obsession and Jim wants to prove that unlike his father, he’s is not a quitter! Jim pushes Emma to her limits and drags her into a dangerous adventure which, only if successful, is going to bring them closer together.
SpaceBoy SpaceBoy
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What's On
Little Trouble Girls Kaj ti je deklica
Urška Djukić
Wednesday, 18. 03. 2026 / 10:00 / Main Hall
Urška Djukić’s (Granny’s Sexual Life) debut feature explores the power of girls’ voices to overturn traditional ideas and patriarchal patterns through the eyes of a shy and sensitive 16-year-old girl, Lucija. The opening film of the Perspectives Competition and winner of the FIPRESCI Award for Best First Film at this year’s Berlinale.
Videoheaven Videoheaven
Alex Ross Perry
Wednesday, 18. 03. 2026 / 17:00 / Main Hall
Socio-cultural hub, consumer mecca, and source of existential dread; the video rental store forever changed the way we interact with movies. With narration by Maya Hawke over footage culled from hundreds of sources, Perry’s Videoheaven tells the story of an industry’s seismic impact on American movie culture.
Fiume o morte! Fiume o morte!
Igor Bezinović
Wednesday, 18. 03. 2026 / 19:15 / Small Hall
On 12 September 1919, a troop of some three hundred soldiers under the leadership of the flamboyant war-loving Italian poet Gabriele D’Annunzio swooped into the Northern-Adriatic port town of Fiume, now Rijeka, wanting to annex the city to Italy. Over the course of the next 16 months, during what is regarded as one of the most bizarre militant sieges of all time his official photography team captured over 10,000 images. A century later, Igor Bezinović orchestrates a direct-action history lesson focused on the siege and its modern-day implications.