In the 1944 Nazi-occupied France, the young and brilliant author is an active Resistance member with her husband Robert Antelme. When he is deported by the Gestapo, she throws herself into a desperate struggle to get him back. She develops a chilling relationship with a local Vichy collaborator, Rabier, and takes terrible risks to save Robert, playing a cat-and-mouse game of unpredictable meetings all over Paris. Does he really want to help her? Or is he trying to dig up information about the anti-Nazi underground movement? The war finally ends and camp victims return, an excruciating period for Marguerite. But she continues to wait, bound to the torment of absence even beyond hope.
“The term ‘douleur’ is a complex, difficult concept. Complexity must lie at the absolute heart of our project. More than ever, the idea is to tell the truth. Primo Levi and Robert Antelme spoke the truth. They spoke of complexity and guilt in relation to the death camps. Well there was complexity among those waiting for people to come home too. Amongst those who had to live with the waiting.” (Emmanuel Finkiel)
Born in 1961 in France, Finkiel worked an assistant director for many years, including on Kieslowski's Three Colours: Blue, White and Red. He has been writing and directing films himself since 1995. His feature début, Voyages, was awarded at several film festivals in France, including Cannes.