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European Short Film Audience Awards I. (2024) Ljubljenci evropskega občinstva I. (2024)

različni avtorji / various / 74 min

Balkan, Baby; To Live In a Wild Sea; Thank You For Your Patience!; Motherless Child

Balkan, Baby / Kafana na Balkanu
Boris Gavrilović, Nemčija, 2023, 19'

Martina is a good immigrant. At least she has always done her best to be regarded as such in Germany. But then she meets young Dunja during a short vacation at Lake Starnberg. Suddenly, Martina is forced to confront a part of her identity that she has repressed all her life.

To Live In a Wild Sea / Vivir en un mar bravo 
Guillermo F. Flórez, Španija, 2023, 24'

Carmen was born in 1935. As a child, she watched how they took members of her family away. After 14 years as a cloistered nun, she managed to get expelled from it. She promised herself to own her life. Today, she is 86 years old, and she is going to make a decision: to commit suicide.

Thank You For Your Patience! / Merci pour votre patience! 
Simon van der Zande, Belgija/Nizozemska, 2022, 17'

From a fixed point of view, we witness a tense bus ride in Brussels, when Samuel – a Congolese immigrant – gets on to voice his discontent with Europe.

Motherless Child / Motherless Child
Sophie Maréchal, Belgija/Francija, 2023, 14'

Barbara, a 30-year-old single female, is the typical example of a modern woman, a ‘working girl’, living in a fast lane, completely hooked on her smartphone. However, her routine is about to change as a mysterious balloon, seemingly sent from the sky, floats into her life.

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What's On

Sentimental Value Affeksjonsverdi

Joachim Trier

Sunday, 25. 01. 2026 / 21:40 / Main Hall

After the success of The Worst Person in the World, Joachim Trier returns with an intimate and deeply moving story about family, memory, and the unifying power of art. Winner of the Grand Jury Prize in Cannes and nominated for eight Golden Globes.

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Fiume o morte! Fiume o morte!

Igor Bezinović

Monday, 26. 01. 2026 / 16:45 / Small Hall

On 12 September 1919, a troop of some three hundred soldiers under the leadership of the flamboyant war-loving Italian poet Gabriele D’Annunzio swooped into the Northern-Adriatic port town of Fiume, now Rijeka, wanting to annex the city to Italy. Over the course of the next 16 months, during what is regarded as one of the most bizarre militant sieges of all time his official photography team captured over 10,000 images. A century later, Igor Bezinović orchestrates a direct-action history lesson focused on the siege and its modern-day implications.

The Devil, Probably Le diable probablement

Robert Bresson

Monday, 26. 01. 2026 / 18:15 / Main Hall

“My illness is that I see things too clearly.” Robert Bresson’s The Devil, Probably caused a storm at the Berlinale in 1977, and in France screenings were banned for viewers under eighteen due to fears it might encourage suicide among young people.