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5. Kinotrip

Exchanging Gazes Izmenjevanje pogledov

razno / Slovenia / 60 min

This year too, Kinotrip will present young filmmakers! 

At a special festival screening, we will watch The Lense of Love, a short film made in the framework of a youth film exchange conducted as part of the preparation activities related to the candidacy of Ljubljana and Nurnberg for the 2025 European Capital of Culture.

This will be followed by three music videos made by the participants of the pre-festival music video workshop.

The screenings will be followed by a short Q&A.

The screening of The Lense of Love is supported by Ivan Cankar Student Hall of Residence, KUD Pozitiv, Medienzentrum Parabol, Mittelfränkisches Jugendfilmfestival (Nürnberg) // European Capital of Culture 2025.

The pre-festival videomaking workshop in cooperation with SCCA-Ljubljana and Kraken Society.

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What's On

The Last Viking Den sidste viking

Anders Thomas Jensen

Thursday, 16. 04. 2026 / 15:30 / Main Hall

Mads Mikkelsen stars as John Lennon in this bloody, Scandinavian-style black comedy about two brothers who embark on a journey to find long-buried treasure and discover themselves in the process. “Chiquitita, you and I know…”

Fiume o morte! Fiume o morte!

Igor Bezinović

Thursday, 16. 04. 2026 / 17:00 / Small Hall

On 12 September 1919, a troop of some three hundred soldiers under the leadership of the flamboyant war-loving Italian poet Gabriele D’Annunzio swooped into the Northern-Adriatic port town of Fiume, now Rijeka, wanting to annex the city to Italy. Over the course of the next 16 months, during what is regarded as one of the most bizarre militant sieges of all time his official photography team captured over 10,000 images. A century later, Igor Bezinović orchestrates a direct-action history lesson focused on the siege and its modern-day implications.

Two Prosecutors Dva prokurora

Sergej Loznica

Thursday, 16. 04. 2026 / 18:00 / Main Hall

This film by Ukrainian director Sergei Loznitsa (A Gentle Creature, Donbass) is a Kafkaesque exploration of a totalitarian regime. It is suffused with an overwhelming sense of inevitability and laced with the director’s signature grotesque humour.