story
Honey, a shy 13-year-old, hides the truth about herself and her chaotic family, struggling to reveal her true self in her new class. She loves playing music – and is really talented – but no one knows that yet. All Honey wants is a spot in Liam's band, "Rock Till We Drop". So, when she discovers that her supposedly dead, music-loving grandfather Marcel might actually be alive, she sets out to find him. Perhaps he's exactly what she needs to finally learn to stand up for herself.
about the author
Natasha Arthy in a Danish screenwriter, director, and producer, born in 1969 in Gentofte, Denmark. She is best known for her 2003 Dogme film Se til venstre, der er en Svensker, which won the Grand Jury Prize at the Los Angeles Film Festival.
filmography (selection)
2003 Se til venstre, der er en Svensker (Look to the left, there's a Swede)
2007 Fighter
2025 Honey
“Children are a fantastic target group. They’re more open than adults to offbeat storytelling. Children just get up and leave whenever they get tired of something. I like that a lot. It’s a gut reaction – instead of being overly logical about how they ought to react.” - Natasha Arthy
Honey Honey
directed by Natasha Arthy, screenplay Natasha Arthy, Mette Neerlin, cinematography Eddie Klint, music Jesper Mechlenburg, editing Martin Schade, Cathrine Ambus, cast Selma Dali Pape (Honey), Jesper Christensen (Marcel), Sidsel Boel Kruse (Mikala), Lene Maria Christensen (mother), Simon Bennebjerg (father), producer Maria Stevnbak Westergren, production Toolbox Film, distribution Fivia
festivals, awards JEF Antwerpen 2025, BUFF Malmö 2025, Kristiansand 2025, Zlín 2025
IMDbWhat's On
Fiume o morte! Fiume o morte!
Igor Bezinović
Sunday, 14. 12. 2025 / 19:30 / Small Hall
On 12 September 1919, a troop of some three hundred soldiers under the leadership of the flamboyant war-loving Italian poet Gabriele D’Annunzio swooped into the Northern-Adriatic port town of Fiume, now Rijeka, wanting to annex the city to Italy. Over the course of the next 16 months, during what is regarded as one of the most bizarre militant sieges of all time his official photography team captured over 10,000 images. A century later, Igor Bezinović orchestrates a direct-action history lesson focused on the siege and its modern-day implications.