story
Philippe is a renowned opera composer who has long struggled to find inspiration for his next big hit. His orderly, solitary life is turned upside down when, after her grandmother’s death, his niece Simone comes to live with him – a rebellious, warm-hearted, and endlessly curious girl whose best friend is a skunk named Miss Boots. At first, they seem to have nothing in common: he is serious, quiet, and meticulous, while she is wild, playful, and brimming with creative ideas. Yet through their differences, they gradually discover that they may need each other more than they first imagined. Simone finds in her uncle the stability and security she has never known, while Philippe, through her mischief and imagination, rediscovers lightness, playfulness, and musical inspiration.
about the author
A Canadian film and television director from Quebec who made his feature debut with Rock Paper Scissors in 2013. He is also an acclaimed TV director, having won the Gémeaux Award for Best Direction in a Dramatic Series twice – once in 2016 for Unité 9 and again in 2017 for L'Imposteur.
filmography (selection)
2013 Roche papier ciseaux (Rock Paper Scissors)
2015 Unité 9 (Unit 9) (TV series)
2016–2017 L'Imposteur (The Impostor) (TV series)
2024 Mlle Bottine (Miss Boots)
“My adult perspective having obviously changed my perception of events, it was no longer so much Fanny's (now Simone) quest that I identified with, but now that of Philippe who is navigating parenthood in his own way. The anxieties of seeing oneself transformed into a parent, with all the worries and responsibilities that this entails, came back to me all at once. I identified with this socially dysfunctional lunatic who draws, without ever admitting it to himself, his inspiration from the prospect of becoming a father and founding a family unit.” - Yan Lanouette Turgeon
Miss Boots Mlle Bottine
Screenings
LIFFe / Kinobalon at LIFFe
directed by Yan Lanouette Turgeon, screenplay Dominic James, music Olivier Calvert, Gavin Fernandes, editing Carina Baccanale, cast Antoine Bertrand (Philippe Bloom), Marguerite Laurence (Simone Bloom), Mani Soleymanlou (Paul), Benoît Gouin (Ménard), Marilyn Castonguay (Alice), Mateo Laurent Membreño Daigle (Billy), producers Antonello Cozzolino, Dominic James, Brigitte Leveillé, production Attraction, distribution Fivia d.o.o. ,
festivals, awards Schlingel 2024
IMDbThursday, 11. 09. 2025
Kinobalon na LIFFu 2025 - za šole in vrtce
Začutite festivalsko vzdušje tudi s šolo ali vrtcem: filmi za otroke in mlade z vsega sveta. Med 12. in 23. novembrom 2025.
What's On
New Classmates Novi sošolci
Toni Cahunek
Wednesday, 22. 10. 2025 / 10:00 / Main Hall
Slovenia’s economy relies on workers from Kosovo. But how does society accept their children? The documentary New Classmates explores the background of Kosovar immigration and the challenges their children face integrating into a new country. It highlights the stories of four children of immigrant families and their parents, who face various obstacles due to their ethnic background and limited knowledge of the Slovenian language.
Wisdom of Happiness Wisdom of Happiness
Barbara Miller, Philip Delaquis
Wednesday, 22. 10. 2025 / 15:30 / Small Hall
With disarming wit, the Dalai Lama reflects on balancing millennia-old Tibetan Buddhist traditions with the contemporary values of our globalised society that now struggles to overcome violence and war while standing on the brink of environmental collapse.
Fiume o morte! Fiume o morte!
Igor Bezinović
Wednesday, 22. 10. 2025 / 17:30 / Small Hall
On 12 September 1919, a troop of some three hundred soldiers under the leadership of the flamboyant war-loving Italian poet Gabriele D’Annunzio swooped into the Northern-Adriatic port town of Fiume, now Rijeka, wanting to annex the city to Italy. Over the course of the next 16 months, during what is regarded as one of the most bizarre militant sieges of all time his official photography team captured over 10,000 images. A century later, Igor Bezinović orchestrates a direct-action history lesson focused on the siege and its modern-day implications.