The Box Office is open from 14:50 till 21:00 (will open in 01:30).

FeKK 2025: Opening Ceremony: Keep the Dream Burning FeKK 2025: Opening Ceremony: Keep the Dream Burning

različni avtorji / various / 86 min

SOME STRINGS: found image & sound, 1901–2024 "the cinema of solidarity", Sarah Wood; Ma'loul Celebrates its Destruction, Michel Khleifi; Your Father Was Born 100 Years Old, and So Was the Nakba, Razan Al Salah; Ours Is a Country of Words, Mathijs Poppe

Photos

SOME STRINGS: found image & sound, 1901–2024 "the cinema of solidarity"
Sarah Wood, VB/Francija, 2024, 5’

How to think of cinema when the physical spaces of cinemas are being used as bomb shelters.

Ma'loul Celebrates its Destruction
Michel Khleifi, Palestina/Belgija, 1985, 32’

Like countless Palestinian villages since 1948, Ma’loul has been erased from the map. Every year on Israel's ‘independence day’ (the only day that no permits are needed to move around that area freely), Ma'loul's expelled indigenous Palestinian inhabitants go back to their village to show their children where they are from and to re-conjure the houses, the school, and the bakery.

Your Father Was Born 100 Years Old, and So Was the Nakba / Abuki khuli'a 'umruhu 100 sana, zay al-Nakba
Razan Al Salah, ZDA/Libanon/Palestina, 2017, 7’

Attempt to "Return" through Google Street View—the director puts herself in the place of her grandmother, searching in vain for traces of her past on the map.

Ours Is a Country of Words
Mathijs Poppe, Belgija, 2017, 42’

Filmed in Shatila Refugee Camp in Lebanon, the story begins at an undetermined moment in the future, when the dream of the Palestinian refugees to go back to Palestine becomes reality.

Kinodvor. Newsletter.

Join our mailing list and receive details of upcoming films and events!

What's On

Bugonia Bugonia

Yorgos Lanthimos

Friday, 12. 12. 2025 / 15:50 / Main Hall

Hamnet Hamnet

Chloé Zhao

Friday, 12. 12. 2025 / 18:20 / Main Hall

Fiume o morte! Fiume o morte!

Igor Bezinović

Friday, 12. 12. 2025 / 19:45 / Small Hall

On 12 September 1919, a troop of some three hundred soldiers under the leadership of the flamboyant war-loving Italian poet Gabriele D’Annunzio swooped into the Northern-Adriatic port town of Fiume, now Rijeka, wanting to annex the city to Italy. Over the course of the next 16 months, during what is regarded as one of the most bizarre militant sieges of all time his official photography team captured over 10,000 images. A century later, Igor Bezinović orchestrates a direct-action history lesson focused on the siege and its modern-day implications.