Set amidst the glamour of 1950s London, renowned dressmaker Reynolds Woodcock and his sister Cyril are at the centre of British fashion, dressing royalty, movie stars, dames and debutants with the distinctive style of The House of Woodcock. Women come and go through the life of the confirmed bachelor. Until he comes across a young, strong-willed woman, Alma. Director Paul Thomas Anderson and Oscar winner Daniel Day-Lewis paint an illuminating portrait of an artist and the women who keep his world running.
Phantom Thread Phantom Thread
Director Paul Thomas Anderson and Oscar winner Daniel Day-Lewis paint an illuminating portrait of an artist and the women who keep his world running.
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Fiume o morte! Fiume o morte!
Igor Bezinović
Tuesday, 28. 10. 2025 / 17:00 / Small Hall
On 12 September 1919, a troop of some three hundred soldiers under the leadership of the flamboyant war-loving Italian poet Gabriele D’Annunzio swooped into the Northern-Adriatic port town of Fiume, now Rijeka, wanting to annex the city to Italy. Over the course of the next 16 months, during what is regarded as one of the most bizarre militant sieges of all time his official photography team captured over 10,000 images. A century later, Igor Bezinović orchestrates a direct-action history lesson focused on the siege and its modern-day implications.
Last Screening
Yunan Yunan
Ameer Fakher Eldin
Tuesday, 28. 10. 2025 / 17:50 / Main Hall
The Hamburg-based director of Palestinian-Syrian descent places the second instalment of his Homeland trilogy on a small, flood-prone island in the Wadden Sea. This melancholic, mood-driven film about exile and the scars it leaves behind features a charismatic performance by the legendary Hanna Schygulla.
Sorry, Baby Sorry, Baby
Eva Victor
Tuesday, 28. 10. 2025 / 20:30 / Main Hall
An honest, warm, and surprisingly funny film about how to live with something you can never truly get over. A Sundance Festival sensation, winner of the Best Screenplay award there, and considered one of the best films of the year by numerous critics.