The pioneer breakthrough and a great classic in the arena of gay erotica, Boys in the Sand, made by the Broadway dancer and choreographer Wakefield Pool, was the first publicly and officially screened film involving hard-core scenes of gay sexuality. This was the year before Deep Throat and the official beginning of the “porno chic” era, as mentioned in the annals. The Boys in the Sand were mentioned in prestige publications such as Variety and The New York Times. And they weren’t just chic—they were the first to be chic!
Boys in the Sand Boys in the Sand
Like Botticelli's Venera, the handsome Adonis stands up from the foaming sea. This is the beginning of the first of three vignettes entitled Bayside, Poolside, and Inside, which take place in the remote paradise of Fire Island off the coast of New York—a dreamy, playful, and breezy summer ode to freedom and physical love liberated from shame and stigma.
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What's On
Mondays
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Two by Amir Naderi
Cut Cut
Amir Naderi
Monday, 13. 04. 2026 / 17:45 / Main Hall
Shuji is a young filmmaker and devoted cinephile. He organises impromptu screenings of classic films on the roof of his apartment block and protests against multiplexes and the industry that is destroying the art of film on the streets of Tokyo. One day, he learns that his brother, who had helped finance his films, has been beaten to death by the Yakuza over unpaid debts. Shuji resolves to repay the debt by working as a human punching bag in the bathroom of the club where his brother was killed.
The Tale of Silyan Prikaznata za Siljan
Tamara Kotevska
Monday, 13. 04. 2026 / 18:15 / Small Hall
Inspired by ancient myths and folk tales, Tamara Kotevska’s film is a moving documentary fairy tale about a farmer and his unique bond with a white stork.
Two Prosecutors Dva prokurora
Sergej Loznica
Monday, 13. 04. 2026 / 20:30 / Main Hall
This film by Ukrainian director Sergei Loznitsa (A Gentle Creature, Donbass) is a Kafkaesque exploration of a totalitarian regime. It is suffused with an overwhelming sense of inevitability and laced with the director’s signature grotesque humour.