The pioneer breakthrough and a great classic in the arena of gay erotica, Boys in the Sand, made by the Broadway dancer and choreographer Wakefield Pool, was the first publicly and officially screened film involving hard-core scenes of gay sexuality. This was the year before Deep Throat and the official beginning of the “porno chic” era, as mentioned in the annals. The Boys in the Sand were mentioned in prestige publications such as Variety and The New York Times. And they weren’t just chic—they were the first to be chic!
Boys in the Sand Boys in the Sand
Like Botticelli's Venera, the handsome Adonis stands up from the foaming sea. This is the beginning of the first of three vignettes entitled Bayside, Poolside, and Inside, which take place in the remote paradise of Fire Island off the coast of New York—a dreamy, playful, and breezy summer ode to freedom and physical love liberated from shame and stigma.
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What's On
Sorry, Baby Sorry, Baby
Eva Victor
Wednesday, 08. 10. 2025 / 13:00 / Main Hall
An honest, warm, and surprisingly funny film about how to live with something you can never truly get over. A Sundance Festival sensation, winner of the Best Screenplay award there, and considered one of the best films of the year by numerous critics.
The Oslo Trilogy
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Last Screening
Dreams (Sex Love) Drømmer
Dag Johan Haugerud
Wednesday, 08. 10. 2025 / 15:50 / Main Hall
Johanne falls in love for the first time… with her teacher. To preserve her overwhelming experience, she entrusts her feelings to paper. When her mother and grandmother read her writings, they are initially shocked by its intimate content but soon see its literary potential… Golden Bear at the last Berlinale.
Fiume o morte! Fiume o morte!
Igor Bezinović
Wednesday, 08. 10. 2025 / 17:00 / Small Hall
On 12 September 1919, a troop of some three hundred soldiers under the leadership of the flamboyant war-loving Italian poet Gabriele D’Annunzio swooped into the Northern-Adriatic port town of Fiume, now Rijeka, wanting to annex the city to Italy. Over the course of the next 16 months, during what is regarded as one of the most bizarre militant sieges of all time his official photography team captured over 10,000 images. A century later, Igor Bezinović orchestrates a direct-action history lesson focused on the siege and its modern-day implications.