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EFA – Short matters! III. (2021) EFA – Short matters! III. (2021)

various / 70 min

Short Films Programme.

All Cats Are Grey in the Dark
Nachts sind alle Katzen grau, Lasse Linder, Switzerland, documentary, 2019, 15’

Christian, who calls himself ‘Catman’, lives with his two cats Marmelade and Katjuscha. They are inseparable. As he is yearning to become a father, he decides to fertilise his beloved cat Marmelade by an exquisite tomcat from abroad.

Genius loci
Adrien Mérigeau, France, animation, 2020, 16'

One night, Reine, a young loner, sees within the urban chaos a mystical oneness that seems alive, like some sort of guide.

People on Saturday
Menschen am Samstag, Jonas Ulrich, Switzerland, fiction, 2020, 10'

A sunny Saturday afternoon in the city. Ten tableaux show people struggling with the small and big challenges of their daily lives.

Lake of Happiness
Aliaksei Paluyan, Belarus/Germany/Spain, fiction, 2019, 29'

In a small Belarusian village, where time seems to stand still, Jasja, a 9-year-old girl, has to deal with her mother‘s death. Her father decides to send her to an orphanage. But one day she decides to run away, home.

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What's On

Yunan Yunan

Ameer Fakher Eldin

Sunday, 22. 03. 2026 / 19:00 / Main Hall

The Hamburg-based director of Palestinian-Syrian descent places the second instalment of his Homeland trilogy on a small, flood-prone island in the Wadden Sea. This melancholic, mood-driven film about exile and the scars it leaves behind features a charismatic performance by the legendary Hanna Schygulla. 

Last Screening

Father Mother Sister Brother Father Mother Sister Brother

Jim Jarmusch

Monday, 23. 03. 2026 / 16:10 / Main Hall

Three stories, sometimes funny, sometimes sad, about the relationship between parents and their adult children. Jim Jarmusch’s “anti-action film” received the Golden Lion in Venice.

Fiume o morte! Fiume o morte!

Igor Bezinović

Monday, 23. 03. 2026 / 17:00 / Small Hall

On 12 September 1919, a troop of some three hundred soldiers under the leadership of the flamboyant war-loving Italian poet Gabriele D’Annunzio swooped into the Northern-Adriatic port town of Fiume, now Rijeka, wanting to annex the city to Italy. Over the course of the next 16 months, during what is regarded as one of the most bizarre militant sieges of all time his official photography team captured over 10,000 images. A century later, Igor Bezinović orchestrates a direct-action history lesson focused on the siege and its modern-day implications.