The Box Office is open from 14:20 till 20:30 (will open in 02:40).

A Good Wife Dobra žena

Mirjana Karanović / Serbia, Croatia, Bosnia and Herzegovina / 2016 / 90 min / Serbian

The full-length feature debut by acknowledged Serbian actress Mirjana Karanović is a subtle psychological portrayal of a woman who accidentally discovers the truth about her seemingly perfect husband’s past.

Milena is a fifty-year-old wife and mother ensconced comfortably behind a gate in an upscale suburb of Belgrade. She quietly tends to her looks, dutifully cooks and entertains, and meets her friends. But unsettling realities are beginning to seep into Milena’s consciousness and disrupt her ordered world. One day while cleaning, she happens upon a videotape that incriminates her husband in horrific war crimes.

"I started thinking about the woman who actually is the beloved wife of one of the people involved in the war operations in Bosnia. I tried to understand that person, tried to figure out what’s going on in her head, because all through the years of the conflict I was completely different from her. I was active, I gave interviews, I was an anti-war activist, I made a lot of speeches. That’s why it’s the story about an average middle-aged woman who never questioned her life, and never had strong thoughts about what was behind her well-being." (Mirjana Karanović)

Mirjana Karanović
Born in 1959 in Belgrade, Karanović is a Serbian actress known for many important roles in Balkan films. She has gained international recognition for her role in Jasmila Žbanić’s Grbavica: The Land of My Dreams. A Good Wife, her directorial debut, premiered at the 2016 Sundance Film Festival.

Kinodvor. Newsletter.

Join our mailing list and receive details of upcoming films and events!

What's On

Bugonia Bugonia

Yorgos Lanthimos

Wednesday, 17. 12. 2025 / 15:20 / Main Hall

Hamnet Hamnet

Chloé Zhao

Wednesday, 17. 12. 2025 / 17:50 / Main Hall

Fiume o morte! Fiume o morte!

Igor Bezinović

Wednesday, 17. 12. 2025 / 19:15 / Small Hall

On 12 September 1919, a troop of some three hundred soldiers under the leadership of the flamboyant war-loving Italian poet Gabriele D’Annunzio swooped into the Northern-Adriatic port town of Fiume, now Rijeka, wanting to annex the city to Italy. Over the course of the next 16 months, during what is regarded as one of the most bizarre militant sieges of all time his official photography team captured over 10,000 images. A century later, Igor Bezinović orchestrates a direct-action history lesson focused on the siege and its modern-day implications.