'France, 1943: the year of the German occupation'. Guitarist and composer Django Reinhardt amazes the Parisian public each night with his lively and soulful 'Romani swing'. While vast numbers of his compatriots suffer horrific racial persecution and die on mass in concentration camps, he hopes that his beloved status will keep him safe. When Nazi representatives demand that he tours Germany to combat the influence of American 'black music', Django staunchly rejects them. Etienne Comar in his directorial debut offers a portrait of an unconventional artist and a free spirit'.
- Berlinale
Django Django
Etienne Comar in his directorial debut offers a portrait of an unconventional artist and a free spirit.
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What's On
God Will not Help Bog neće pomoći
Hana Jušić
Monday, 29. 06. 2026 / 18:10 / Main Hall
The second feature film from Hana Jušić (Quit Staring at My Plate) is a darkly poetic neo-Western about a mysterious Chilean woman who brings unrest to a traditional Croatian shepherding community at the beginning of the 20th century. Blending elements of Wuthering Heights, Croatian folklore, and Jane Campion’s The Piano, the film earned its two leading actresses an award at Locarno.
Kinodvorišče
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New on the programme
The Love That Remains Ástin sem eftir er
Hlynur Pálmason
Monday, 29. 06. 2026 / 21:30 / Kinodvorišče
An intimate look into the life of an Icelandic family as the parents navigate their separation. Featuring the director’s own children, the film explores the complexities of fading love and the impact of shared memories.
Nouvelle Vague Nouvelle Vague
Richard Linklater
Tuesday, 30. 06. 2026 / 18:45 / Main Hall
Shot in the style of its subject, i.e. in black and white and with little-known actors, Nouvelle Vague looks at the making of Jean-Luc Godard’s iconic debut film, Breathless.