Growing up in the Amazon rainforest gave Autumn the rarest of friendships – a lost jaguar cub she discovers named Hope. When a tragic event forces Autumn to leave Hope for the unknowns of New York City, she dreams for years of going back to the rainforest and her friend. Aged 14, and having grown accustomed to city life, Autumn discovers her childhood village is under threat from animal traffickers and decides she must return to the Amazon to her beloved jaguar. Anja – Autumn’s endearingly clumsy biology teacher – unsuccessfully tries to dissuade her from this reckless plan. Joined by Anja, Autumn embarks on a journey to reunite with Hope and save her from those who seek to destroy the rainforest and its wildlife.
What's On
Little Trouble Girls Kaj ti je deklica
Urška Djukić
Wednesday, 18. 03. 2026 / 10:00 / Main Hall
Urška Djukić’s (Granny’s Sexual Life) debut feature explores the power of girls’ voices to overturn traditional ideas and patriarchal patterns through the eyes of a shy and sensitive 16-year-old girl, Lucija. The opening film of the Perspectives Competition and winner of the FIPRESCI Award for Best First Film at this year’s Berlinale.
Videoheaven Videoheaven
Alex Ross Perry
Wednesday, 18. 03. 2026 / 17:00 / Main Hall
Socio-cultural hub, consumer mecca, and source of existential dread; the video rental store forever changed the way we interact with movies. With narration by Maya Hawke over footage culled from hundreds of sources, Perry’s Videoheaven tells the story of an industry’s seismic impact on American movie culture.
Fiume o morte! Fiume o morte!
Igor Bezinović
Wednesday, 18. 03. 2026 / 19:15 / Small Hall
On 12 September 1919, a troop of some three hundred soldiers under the leadership of the flamboyant war-loving Italian poet Gabriele D’Annunzio swooped into the Northern-Adriatic port town of Fiume, now Rijeka, wanting to annex the city to Italy. Over the course of the next 16 months, during what is regarded as one of the most bizarre militant sieges of all time his official photography team captured over 10,000 images. A century later, Igor Bezinović orchestrates a direct-action history lesson focused on the siege and its modern-day implications.


